Mantra 7
Aindra victory and wealth secured through Soma’s purifying flow and Indra-invocation
अधि यदस्मिन्वाजिनीव शुभः स्पर्धन्ते धियः सूरे न विशः अपो वृणानः पवते कवीयन्व्रजं न पशुवर्धनाय मन्म
adhi yadasminvājinīva śubhaḥ spardhante dhiyaḥ sūre na viśaḥ apo vṛṇānaḥ pavate kavīyanvrajaṃ na paśuvardhanāya manma
adhi1 yad2 asmin1 vājinīva2 śubhaḥ2 spardhante2 dhiyaḥ1 | sūre2 na1 viśaḥ2 apo1 vṛṇānaḥ2 pavate1 kavīyān2 vrajaṃ1 na1 paśuvardhanāya2 manma1
Ketika di atasnya—bagai kuda juara yang cemerlang—pikiran-pikiran bhakti saling berlomba; ketika, laksana manusia berhimpun kepada Surya, ia memilih air-air itu; maka Soma yang paling bijaksana mengalir, seakan membawa kandang bagi pertambahan ternak—demikianlah nyanyian ini.
adhi | yat | asmin | vājinī-iva | śubhaḥ | spardhante | dhiyaḥ | sūre | na | viśaḥ | apaḥ | vṛṇānaḥ | pavate | kavīyān | vrajam | na | paśu-vardhanāya | manma
Pavamāna (generic); specific gāna-name not supplied in input
{ "prastava": "(gāna-dependent; not supplied)", "udgitha": "adhi yadasmin… dhiyaḥ |", "pratihara": "sūre na viśaḥ… |", "upadrava": "apo vṛṇānaḥ pavate kavīyān |", "nidhana": "vrajaṃ na paśuvardhanāya manma (often lengthened as concluding ‘hymn’ seal)", "structure_notes": "The closing ‘manma’ is a natural nidhana seal—often given final prolongation/stobha in sāman style.", "singer_assignments": "Standard trio roles; nidhana together." }
{ "gloss_summary": "‘Dhiyaḥ’ are priests’ hymnic acts contending/striving over Soma; ‘choosing the waters’ is Soma taking up purifying streams in filtration; ‘increase of cattle’ is sacrificial prosperity; ‘manma’ is the hymn itself.", "ritual_interpretation": "Interprets imagery in terms of pressing/straining and the patron’s desired fruits (paśu).", "theological_insight": "Rightly performed praise and purification produce both spiritual clarity and worldly support; the hymn is itself a productive enclosure.", "etymology_highlights": "vṛṇānaḥ ‘choosing’; vraja ‘enclosure/stall’; manman/manma ‘hymn/thought’." }