Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
रक्षः कोणे शंखचक्रगदापंकजधारिणीम् । सावित्रीं पीतवसनां यजेद्विणुं च तादृशम् ॥ २६ ॥
rakṣaḥ koṇe śaṃkhacakragadāpaṃkajadhāriṇīm | sāvitrīṃ pītavasanāṃ yajedviṇuṃ ca tādṛśam || 26 ||
Di sudut Rakṣas, hendaknya dipuja Sāvitrī yang berbusana kuning, memegang śaṅkha, cakra, gadā, dan padma; dan Viṣṇu pun dipuja dalam wujud yang sama.
Narada (in instruction mode within a technical/ritual teaching section addressed in the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It links protection and auspiciousness to Viṣṇu-centered worship: the Rakṣas corner is sanctified by installing Sāvitrī and Viṣṇu in a shared iconographic form, implying that mantra-power (Sāvitrī) and the preserver deity (Viṣṇu) function together to guard the rite and stabilize the practitioner’s mind.
Bhakti is expressed through upāsanā with clear form-meditation: worshipping Viṣṇu with the classic emblems (conch, discus, mace, lotus) trains remembrance (smaraṇa) and reverence (arcana), making devotion concrete through disciplined ritual attention.
It reflects ritual-prayoga and directional placement (dik-vinyāsa) used in technical worship manuals: assigning deities to specific corners and prescribing iconographic details is a practical application of Vedic ritual science as preserved in the Purāṇic Vedāṅga-style instructions.