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Narada Purana — Purva Bhaga, Shloka 75

Dhvaja-Dhāraṇa Mahātmyam: Sumati–Satyamatī, Humility, and Deliverance by Hari’s Messengers

उपलेपनकर्त्तारौ संमार्जनपरायणौ । एतौ हरिगृहे नित्यं जीर्णशीर्णाधिरोपकौ ॥ ७५ ॥

upalepanakarttārau saṃmārjanaparāyaṇau | etau harigṛhe nityaṃ jīrṇaśīrṇādhiropakau || 75 ||

Mereka tekun melakukan pelapisan dan penyapuan; di rumah suci Hari setiap hari mereka memperbaiki serta memulihkan bagian yang tua dan rusak.

उपलेपनकर्त्तारौtwo plasterers/anointers (doers of smearing)
उपलेपनकर्त्तारौ:
Karta (कर्ता)
TypeNoun
Rootउपलेपन + कर्तृ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन; समासः उपलेपनस्य कर्तारौ (षष्ठी-तत्पुरुष)
संमार्जनपरायणौtwo devoted to sweeping/cleaning
संमार्जनपरायणौ:
Karta (कर्ता)
TypeAdjective
Rootसंमार्जन + परायण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन; समासः संमार्जने परायणौ (सप्तमी-तत्पुरुष)
एतौthese two
एतौ:
Karta (कर्ता)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन
हरिगृहेin the house/temple of Hari
हरिगृहे:
Adhikarana (अधिकरण)
TypeNoun
Rootहरि + गृह (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति, एकवचन; समासः हरेः गृहम् (षष्ठी-तत्पुरुष)
नित्यम्always
नित्यम्:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootनित्य (प्रातिपदिक/अव्ययीभाववत्)
Formअव्यय; क्रियाविशेषण (adverb: always)
जीर्णशीर्णाधिरोपकौtwo repairers/restorers of what is worn and broken
जीर्णशीर्णाधिरोपकौ:
Karta (कर्ता)
TypeNoun
Rootजीर्ण + शीर्ण + अधिरोपक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन; समासः जीर्णं शीर्णं च (द्वन्द्व-पूर्वपद) + अधिरोपकौ (अधिरोपणकर्तारौ); समस्तपदं कर्मधारय/तत्पुरुष-प्राय (जीर्णशीर्णस्य अधिरोपकौ)

Narada

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: shanta

H
Hari
V
Vishnu

FAQs

It elevates temple upkeep—cleaning, plastering, and repairing—as direct devotional service (seva) to Hari, showing that humble, daily acts sustain sacred space and become bhakti in action.

Bhakti is presented as consistent, practical service: serving Hari’s abode every day with care for cleanliness and restoration, rather than devotion being only verbal praise or occasional worship.

It primarily reflects ritual discipline and temple-procedure (ācāra) rather than a specific Vedanga; the takeaway is the importance of nitya-karma-like regularity and purity in worship settings.