Shloka 8
Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
स भार्यां तां मृतां श्रुत्वा हृदयेष्टां मदालसाम् ।
पितरौ च पुरो दृष्ट्वा लज्जाशोकाब्धिमध्यगः ॥
sa bhāryāṃ tāṃ mṛtāṃ śrutvā hṛdayeṣṭāṃ madālasām | pitarau ca puro dṛṣṭvā lajjā-śokābdhi-madhyagaḥ ||
Mendengar bahwa istri tercintanya, Madālasā, telah wafat, dan melihat kedua orang tuanya di hadapannya, ia tenggelam dalam samudra malu dan duka.
{ "primaryRasa": "karuna", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
The narrative treats grief as inseparable from moral self-assessment: shame arises not only from loss but from perceived failure of duty toward spouse and parents.
Ākhyāna/Upākhyāna; character-focused episode, not cosmological structure.
The ‘ocean’ metaphor signals a descent into saṃsāric suffering (duḥkha-sāgara), a common Purāṇic cue that a turn toward higher understanding or renunciation may follow.