Previous Verse
Next Verse

Shloka 84

Kubera’s Fivefold Nīti and Protection of the Pāṇḍavas (वैश्रवणोपदेशः)

अमानुषगतिं प्राप्ता: संसिद्धा: सम वृकोदर । लताभि: पुष्पिताग्राभि: पुष्पिता: पादपोत्तमा:

amānuṣa-gatiṁ prāptāḥ saṁsiddhāḥ sama vṛkodara | latābhiḥ puṣpitāgrābhiḥ puṣpitāḥ pādapottamāḥ ||

Waiśampāyana berkata: “Wahai Vṛkodara, pepohonan unggul itu seakan telah mencapai keadaan yang bukan dunia manusia, laksana telah sempurna. Dihiasi sulur-sulur merambat yang ujungnya sedang berbunga, mereka sendiri pun berdiri sarat oleh bunga.”

अमानुषगतिम्a non-human/superhuman course (state/way)
अमानुषगतिम्:
Karma
TypeNoun
Rootअमानुषगति
FormFeminine, Accusative, Singular
प्राप्ताःhaving attained
प्राप्ताः:
Karta
TypeAdjective
Rootप्राप्
FormMasculine, Nominative, Plural
संसिद्धाःfully accomplished/perfected
संसिद्धाः:
Karta
TypeAdjective
Rootसंसिध्
FormMasculine, Nominative, Plural
समO (addressing), indeed
सम:
TypeIndeclinable
Rootसम
वृकोदरO Bhima (wolf-bellied)
वृकोदर:
TypeNoun
Rootवृकोदर
FormMasculine, Vocative, Singular
लताभिःwith creepers/vines
लताभिः:
Karana
TypeNoun
Rootलता
FormFeminine, Instrumental, Plural
पुष्पिताग्राभिःwith (vines) having flowering tips
पुष्पिताग्राभिः:
Karana
TypeAdjective
Rootपुष्पिताग्र
FormFeminine, Instrumental, Plural
पुष्पिताःin bloom/flowering
पुष्पिताः:
Karta
TypeAdjective
Rootपुष्पित
FormMasculine, Nominative, Plural
पादपोत्तमाःexcellent trees
पादपोत्तमाः:
Karta
TypeNoun
Rootपादपोत्तम
FormMasculine, Nominative, Plural

वैशम्पायन उवाच

V
Vaiśampāyana
V
Vṛkodara (Bhīma)
P
pādapottamāḥ (excellent trees)
L
latāḥ (creepers/vines)

Educational Q&A

The verse highlights the Mahābhārata’s ethical-aesthetic idea that environments reflect inner and cosmic order: a place marked by purity and auspicious power appears ‘perfected’ and extraordinary, inviting reverence and self-restraint rather than exploitation.

Vaiśampāyana describes to the listener (addressing Bhīma as Vṛkodara) a wondrous forest scene: the trees seem supernaturally perfected and are covered with flowering creepers, emphasizing the exceptional, almost otherworldly character of the setting.