The Vaiṣṇavī Goddess on Mount Mandara: Emergence of the Maidens, Construction of the Goddess-City, and Nārada’s Visit
Pūrva Bhāga · Catalogue of maidens (continuation; includes apsaras names)
घृताची चोर्वशी चान्या शशिनी शीलमण्डिता । चारुकन्या विशालाक्षी धन्या पीनपयोधरा ॥
ghṛtācī corvaśī cānyā śaśinī śīlamaṇḍitā | cārukanyā viśālākṣī dhanyā pīnapayodharā ||
ghRRitAchI chorvashI chAnyA shashinI shIlamaNDitA | chArukanyA vishAlAkShI dhanyA pInapayodharA
फिर घृताची और उर्वशी थीं। एक और थी शशिनी, जिसका करेक्टर अच्छा था। चारुकन्या, विशालाक्षी, धन्या और पीनपयोधरा भी थीं।
Narrator
Beauty is paired with dharma: ‘Śaśinī śīlamaṇḍitā’ signals that ornamentation by conduct surpasses mere physical charm.
Read descriptive epithets as value-signals: cultivate śīla as the ‘ornament’ (ābharaṇa) that stabilizes prosperity and attractiveness.
91.91.7-8 (same catalogue unit)
The inclusion of well-known apsaras names (Ghṛtācī, Urvaśī) indicates intertextual continuity across Sanskrit narrative traditions, while the epithets illustrate ideals of beauty and conduct as literary descriptors.
No geographic location is specified in this verse.
The phrase śīlamaṇḍitā highlights an evaluative ideal—good conduct as an adornment—though the verse overall remains descriptive rather than prescriptive.
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