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The Hierarchy of the Trimūrti and the Manifestation of the Goddess Trikalā
केचिद् गायन्ति नृत्यन्ति धावन्ति स्फोटयन्ति च । हसन्ति किलकिलायन्ति गर्जन्ति च महाबलाः ॥
kecid gāyanti nṛtyanti dhāvanti sphoṭayanti ca | hasanti kilakilāyanti garjanti ca mahābalāḥ ||
कुछ गाते हैं और नाचते हैं। कुछ इधर-उधर दौड़ते हैं और ताली बजाते हैं। वो हँसना शुरू करते हैं, चिल्लाते हैं और ज़ोर से आवाज़ें निकालते हैं। यह सब बहुत ताकत वाले हैं।
Varāha (default framework; speaker not explicitly marked in this verse-fragment)
It records performative vocabulary (song, dance, roar, shriek) that helps scholars understand how Purāṇic texts evoke spectacle and communal retinues.
No explicit location in this verse; the implied setting continues from the Kailāsa narrative frame.
No explicit ethical directive; it functions as descriptive narrative texture.
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