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Rudra’s Hymn: Vision of Nārāyaṇa, the Emergence of the Ādityas, and the Mutual Boon of Hari and Hara
एवमुक्त्वा स्वकादंशात् सृष्ट्वादित्यं घनं तथा । नारायणः शब्दवच्च न विद्मः क्व लयं गतः ॥ ७३.४९ ॥
evam uktvā svakādaṁśāt sṛṣṭvā ādityaṁ ghanaṁ tathā | nārāyaṇaḥ śabdavac ca na vidmaḥ kva layaṁ gataḥ || 73.49 ||
इतने बाद उन्होंने अपने शरीर का एक हिस्सा लेकर सूरज और घने बादल बनाए। फिर नारायण ऐसे गायब हो गए जैसे कोई आवाज़ हवा में घुल जाए। हम नहीं जानते वो कहाँ चले गए या किस जगह गए।
Varāha (default attribution based on primary dialogue framework)
It reflects a Purāṇic narrative style where cosmic functions (sun, clouds) are framed as emanations from a supreme figure, illustrating early medieval Sanskrit cosmological imagination and theological-literary synthesis.
No specific geographic location is named in this verse; the imagery is cosmological rather than topographical.
The verse does not present a direct ethical injunction; its philosophical emphasis is on impermanence and subtlety—divine presence can be described as vanishing 'like sound,' highlighting transience and the limits of human knowledge.
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