Varaha Purana 4.7: Adhyaya 4, Shloka 7
On Nārāyaṇa’s Ten Avatāras and Eightfold Manifestations, and the Account of King Aśvaśirā
चतुर्थी वायुमूर्तिः स्यादाकाशाख्या तु पञ्चमी । एतास्तु मूरतयस्तस्य क्षेत्रज्ञत्वं हि मद्धियाम् । मूर्त्तित्रयं तथा तस्य इत्येताश्चाष्टमूर्तयः ॥ ४.७ ॥
caturthī vāyumūrtiḥ syād ākāśākhyā tu pañcamī | etās tu mūratayas tasya kṣetrajñatvaṃ hi mad-dhiyām | mūrtitrayaṃ tathā tasya ity etāś cāṣṭamūrtayaḥ || 4.7 ||
चौथी मूर्त हवा की है, और पाँचवी को आकाश कहते हैं। यह सब उसके रूप हैं, और मैं समझता हूँ कि यह बताते हैं कि वो क्षेत्र का जानने वाला है। उसके और भी तीन रूप हैं। ऐसे मिलके यह आठ रूप हो गए।
Varāha (default per dialogue framework; speaker not explicit in excerpt)
FAQs
It preserves a Purāṇic articulation of the aṣṭamūrti (eightfold manifestation) framework, a well-attested classical schema used to systematize cosmological elements and divine embodiment across early Sanskrit traditions.
No specific place-name appears in this verse; the content is primarily cosmological/ontological rather than topographical.
Rather than a direct moral injunction, the verse offers a philosophical instruction: to understand elemental forms (wind and ether among them) as expressions of a single principle characterized as kṣetrajña, the ‘Knower of the Field’.
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