Varaha Purana 36.19: Adhyaya 36, Shloka 19
Account of the Maṇija Kings and a Hymn to Govinda Leading to Liberation
शब्दातिगं व्योमरूपं विमूर्त्तिं विकर्म्मिणां शुभभावं वरेण्यम् । चक्राब्जपाणिं तु तथोपचारादुक्तं पुराणे सततं नमामि ॥ ३६.१९ ॥
śabdātigaṁ vyomarūpaṁ vimūrttiṁ vikarmmiṇāṁ śubhabhāvaṁ vareṇyam | cakrābjapāṇiṁ tu tathopacārāduktaṁ purāṇe satataṁ namāmi || 36.19 ||
मैं उस भगवान को प्रणाम करता हूँ जो शब्द से भी पारे हैं। उनका रूप आसमान जैसा है, कोई बॉडी नहीं है। जो लोग कर्म करते हैं उनके लिए वो अच्छे हैं। उनके हाथ में चक्र और कमल है। पुराण में लिखा है इसलिए मैं उन्हे प्रणाम करता हूँ।
Varāha (default attribution within Varāha–Pṛthivī dialogue framework; explicit speaker not stated in excerpt)
FAQs
It exemplifies a Purāṇic stotra-style formulation that combines abstract metaphysical descriptors (formless, beyond sound, space-like) with concrete Vaiṣṇava iconography (discus and lotus), illustrating how Purāṇic literature bridges philosophical language and ritual-devotional practice.
No geographic location is explicitly named in this verse; the focus is on theological description and ritualized salutation rather than sacred geography.
The verse foregrounds disciplined reverence—continuous mindful salutation aligned with established forms of respectful conduct (upacāra)—as a philosophical practice emphasizing humility and attentiveness in ritual and contemplation.
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