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Varaha Purana 213.44: Adhyaya 213, Shloka 44

The Glory of Gokarṇeśvara: Nandin’s Austerities and Śiva’s Boons

प्रेतावासनिवासाय रुद्राय वरदाय च ॥ कपालमालिने तस्मै हरिश्मश्रुधराय च

Recitation with translationVaraha Purana 213.44

pretāvāsanivāsāya rudrāya varadāya ca || kapālamāline tasmai hariśmaśrudharāya ca

मैं उनको नमन करता हूँ जहाँ भूत-प्रेत रहते हैं, जो रुद्र हैं, जो वरदान देते हैं। जो खोपड़ियाँ पहनते हैं और जिनकी दाढ़ी और मूँछ पीली है।

प्रेतावासनिवासायto the dweller in the abode of spirits
प्रेतावासनिवासाय:
Sampradana (सम्प्रदान)
TypeNoun
Rootप्रेत-आवास-निवास (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी-विभक्ति, एकवचन; Dative singular masculine; समासः बहुपद-तत्पुरुष (प्रेतानाम् आवासः/निवासः यस्य/यत्र)
रुद्रायto Rudra
रुद्राय:
Sampradana (सम्प्रदान)
TypeNoun
Rootरुद्र (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी-विभक्ति, एकवचन; Dative singular masculine
वरदायto the boon-giver
वरदाय:
Sampradana (सम्प्रदान)
TypeNoun
Rootवरद (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी-विभक्ति, एकवचन; Dative singular masculine
चand
च:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय-निपात (conjunction)
कपालमालिनेto the wearer of a garland of skulls
कपालमालिने:
Sampradana (सम्प्रदान)
TypeNoun
Rootकपाल-मालिन् (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी-विभक्ति, एकवचन; Dative singular masculine; समासः षष्ठी-तत्पुरुष (कपालानां माला यस्य)
तस्मैto him
तस्मै:
Sampradana (सम्प्रदान)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, पुंलिङ्ग, चतुर्थी-विभक्ति, एकवचन; Dative singular masculine pronoun
हरिश्मश्रुधरायto the bearer of tawny/golden beard
हरिश्मश्रुधराय:
Sampradana (सम्प्रदान)
TypeNoun
Rootहरि-श्मश्रु-धर (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी-विभक्ति, एकवचन; Dative singular masculine; समासः बहुपद-तत्पुरुष (हरि-वर्णं श्मश्रु यस्य; धरोऽसौ)
चand
च:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय-निपात (conjunction)

Nandī (hymn speaker; within the broader Varāha–Pṛthivī narrative frame)

P
Purāṇic Literature
Ś
Śaiva Iconography
S
Sanskrit Hymns
C
Cultural Heritage

FAQs

It documents cremation-ground and skull-garland motifs associated with Śiva/Rudra, valuable for the study of South Asian religious art history and textual iconography.

No specific place-name is given; the imagery is symbolic (cremation-ground as a cultural-religious setting).

It encourages contemplation of impermanence (mortality symbolism) and humility, using funerary imagery as a philosophical prompt rather than a literal directive.

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