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Varaha Purana 163.34: Adhyaya 163, Shloka 34

The Greatness of Kapila-Varāha: The Efficacy of Vaikuṇṭha Tīrtha and the Installation History of the Varāha Image

सौम्यरूपोऽभवद्देवो लोकनाथो जनार्दनः ॥ सन्निधानमनुप्राप्य पुष्पकारोहणोत्सुकः

Recitation with translationVaraha Purana 163.34

saumyarūpo 'bhavad devo lokanātho janārdanaḥ || sannidhānam anuprāpya puṣpakārohaṇotsukaḥ

भगवान जनार्दन ने एक नरम रूप लिया। वो सबकी दुनिया के मालिक हैं। वो वहाँ आ गए और पुष्पक विमान में बैठने को तैयार हो गए।

सौम्यरूपःof gentle form
सौम्यरूपः:
Karta (कर्ता/Subject)
TypeAdjective
Rootसौम्य-रूप (प्रातिपदिक; सौम्य + रूप)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विशेषण (qualifying)
अभवत्became
अभवत्:
Kriya (क्रिया/Verb)
TypeVerb
Rootभू (धातु)
Formलङ् (Imperfect/Past), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
देवःthe god
देवः:
Karta (कर्ता/Subject)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
लोकनाथःlord of the worlds
लोकनाथः:
Karta (कर्ता/Subject)
TypeNoun
Rootलोक-नाथ (प्रातिपदिक; लोक + नाथ)
Formपुंलिङ्ग, प्रथमा, एकवचन; षष्ठी-तत्पुरुष (genitive determinative)
जनार्दनःJanārdana (Viṣṇu)
जनार्दनः:
Karta (कर्ता/Subject)
TypeNoun
Rootजनार्दन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; संबोधनार्थे नाम (proper epithet)
सन्निधानम्presence; proximity
सन्निधानम्:
Karma (कर्म/Object)
TypeNoun
Rootसन्निधान (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
अनुप्राप्यhaving approached
अनुप्राप्य:
Kriya (क्रिया/पूर्वकर्म)
TypeVerb
Rootअनु-प्र-आप् (धातु)
Formक्त्वान्त (Gerund/Absolutive), अव्ययभाव; ‘having reached/approached’
पुष्पकारोहणोत्सुकःeager to mount Puṣpaka (chariot)
पुष्पकारोहणोत्सुकः:
Karta (कर्ता/Subject)
TypeAdjective
Rootपुष्पक-आरोहण-उत्सुक (प्रातिपदिक; पुष्पक + आरोहण + उत्सुक)
Formपुंलिङ्ग, प्रथमा, एकवचन; तत्पुरुष (पुष्पके आरोहणम् = पुष्पकारोहण, तस्मिन् उत्सुकः)

Narrator (default framework: Varāha as instructor)

P
Purāṇic Literature
V
Vaiṣṇavism
S
Sanskrit Epic-Purāṇic Narrative

FAQs

It preserves a Purāṇic narrative motif—divine assumption of form and the Puṣpaka chariot—useful for comparative study with Rāmāyaṇa and later Purāṇic retellings.

No explicit place-name occurs in this verse; the Puṣpaka motif typically connects to Laṅkā/Ayodhyā cycles in wider epic tradition.

The verse primarily advances narrative description; philosophically, it emphasizes divine adaptability (rūpa-parivartana) in response to circumstances.

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