Varaha Purana 144.72: Adhyaya 144, Shloka 72
The Māhātmya of Someśvara and Related Liṅgas: The Liberation-Field of Triveṇī and the Śālagrāma Sacred Landscape
मायायोगबलोपेतस्त्र्यक्षो वै शूलपाणिधृक् ॥ रूपवान् गुणवांश्चैव वपुषादित्यसन्निभः ॥
māyāyoga-balopetas tryakṣo vai śūlapāṇidhṛk || rūpavān guṇavāṃś caiva vapuṣādityasannibhaḥ ||
उसमे माया और योग की ताकत थी। उसके तीन आँखें थीं और हाथ में त्रिशूल था। वो बहुत सुंदर था और उसमे अच्छी बातें थीं। उसका बदन सूरज जैसा चमक रहा था।
Varāha
FAQs
The verse provides iconographic descriptors that help correlate textual imagery with broader South Asian visual and literary conventions.
No geographic location is named in this verse; it is a descriptive portrait of the appearing figure.
Implicitly, it frames power as disciplined and purposeful (yoga/māyā-bala), not merely force—an ethical valuation of cultivated capability.
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