The Māhātmya of Someśvara and Related Liṅgas: The Liberation-Field of Triveṇī and the Śālagrāma Sacred Landscape
Pūrva Bhāga · Prayāga Māhātmya (Sacred Geography and Pilgrimage Narrative)
पश्यतस्तस्य तु विधोस्तत्रैवान्तरधीयत ॥ सोमेशाद्दक्षिणे भागे बाणेनाद्रिं विभिद्य वै ॥
paśyatastasya tu vidhos tatraivāntaradhīyata || someśād dakṣiṇe bhāge bāṇenādriṁ vibhidya vai ||
pashyatastasya tu vidhostatraivAMtaradhIyata || someshAddakShiNe bhAge bANenAdriM vibhidya vai
जब वो देख रहा था, वो भगवान वही गायब हो गए। फिर सोमेश के दाएँ तरफ से उन्होंने पहाड़ को तीर से तोड़ा।
Varāha
Sacred space is disclosed through divine epiphany and disappearance; landscape becomes scripture via mythic causation
Pilgrims treat named directional markers as part of disciplined yātrā—moving with attentiveness to shrine-relations and local tīrtha-stories
Indirect: Mathurā-maṇḍala framing anticipates later Vaiṣṇava sacralization, but this verse itself is Śaiva-topographic and not Kṛṣṇa-specific
Varāha Purāṇa Mathurā-māhātmya sequences that anchor sites by directional cues (dakṣiṇa/uttara) and etiological acts (bheda, prādurbhāva, tirobhāva)
It preserves a mythic-etiological style typical of Purāṇic sacred geography, where physical landmarks (mountains, river zones) are linked to exemplary acts.
“Someśa” is mentioned as a reference point; without broader context, it may denote a Śiva-associated locale (Someshvara) used to anchor a regional sacred map.
No direct ethical injunction appears; the verse primarily functions as narrative localization and sacred-site mapping.
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