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Varaha Purana 137.78: Adhyaya 137, Shloka 78

The Tale of the Vulture and the She-Jackal: The Māhātmya of the Saukarava Sacred Field

ततो रात्र्यां व्यतीतायां प्रभातसमये शुभे ॥ पठन्ति मागधा बन्दिसूता वैतालिकास्तथा

Recitation with translationVaraha Purana 137.78

tato rātryāṃ vyatītāyāṃ prabhātasamaye śubhe || paṭhanti māgadhā bandisūtā vaitālikās tathā

जब रात गुज़र गई और सुबह हुई, मगध के गाने वाले और बन्दी-सूत लोग गाने लगे। वैतालिक भी गाने लगे।

tataḥthen
tataḥ:
rātryāmin the night
rātryām:
vyatītāyāmwhen passed
vyatītāyām:
prabhāta-samayeat dawn-time
prabhāta-samaye:
śubheauspicious
śubhe:
paṭhantirecite
paṭhanti:
māgadhāḥMāgadha panegyrists
māgadhāḥ:
bandi-sūtāḥbards/heralds (bandin) and charioteer-poets (sūta)
bandi-sūtāḥ:
vaitālikāḥVaitālika singers
vaitālikāḥ:
tathālikewise
tathā:

Varāha (default dialogue frame; speaker not explicit in fragment)

C
Classical Literature
A
Ancient Performance Culture
P
Purāṇic Narrative
S
Sanskrit Social History

FAQs

It documents literary categories of professional praise-singers (Māgadha, Vaitālika, bandin, sūta), contributing to reconstructions of courtly performance and social roles in Sanskrit culture.

No explicit site is named; “Māgadha” here most plausibly denotes a class of panegyrists (though it also relates to the Magadha region in other contexts).

The verse is descriptive; it primarily conveys cultural practice rather than an ethical prescription.

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