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Brahmavidya Upanishad: Verse 40

सकले सकलो भावो निष्कले निष्कलस्तथा । एकमात्रो द्विमात्रश्च त्रिमात्रश्चैव भेदतः ॥ अर्धमात्रा परा ज्ञेया तत ऊर्ध्वं परात्परम् । पञ्चधा पञ्चदैवत्यं सकलं परिपठ्यते ॥३९-४०॥

सकले । सकलः । भावः । निष्कले । निष्कलः । तथा । एक-मात्रः । द्वि-मात्रः । च । त्रि-मात्रः । च । एव । भेदतः । अर्ध-मात्रा । परा । ज्ञेया । ततः । ऊर्ध्वम् । परात्-परम् । पञ्चधा । पञ्च-दैवत्यम् । सकलम् । परिपठ्यते ॥३९-४०॥

Recitation with translationBrahmavidya Upanishad 40

sakale sakalo bhāvo niṣkale niṣkalas tathā | eka-mātro dvi-mātraś ca tri-mātraś caiva bhedataḥ || ardha-mātrā parā jñeyā tata ūrdhvaṃ parātparam | pañcadhā pañca-daivatyaṃ sakalaṃ paripaṭhyate ||39–40||

जहाँ हिस्से हैं वहाँ हिस्सों वाली बात है। जहाँ हिस्से नहीं हैं वहाँ बिना हिस्से वाली बात है। अलग-अलग तरीके से एक मात्रा, दो मात्रा और तीन मात्रा बनते हैं। आधी मात्रा सबसे बड़ी चीज़ है। उससे भी ऊपर कुछ और है। पाँच भाग में, पाँच देवता के साथ, यह पढ़ा जाता है।

In the with-parts (sakala) there is the with-parts state; in the partless (niṣkala) likewise the partless. By distinction there are the one-mora, the two-mora, and the three-mora. The half-mora is to be known as the Supreme; above that is the Supreme beyond the supreme. In fivefold manner, the with-parts—having five deities—is recited.

Oṃkāra-vicāra (mātrā analysis), turīya/ardha-mātrā, transcendence from manifest to the beyondMahavakya: Resonates with ‘अयम् आत्मा ब्रह्म’ (Ayam ātmā brahma): the ‘half-mātrā’/silence points to the Self as Brahman beyond the measured states.AtharvaChandas: Mixed śloka style; predominantly Anuṣṭubh with extended pādas (later metrical composition)

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