Sukta 7.22
न ते गिरो अपि मृष्ये तुरस्य न सुष्टुतिमसुर्यस्य विद्वान् । सदा ते नाम स्वयशो विवक्मि ॥
ná te gíro ápi mṛṣye turásya ná suṣṭutím asuryásya vidvā́n | sádā te nā́ma svayaśo vivakmi ||
मैं तुम्हारी बातों को नहीं छुपाता, तेज़ दौड़ने वाले। मैं जानता हूँ तुम्हारी तारीफ सच है। इसलिए मैं हमेशा तुम्हारा नाम लेता हूँ। तुम खुद अपनी बड़ाई करते हो।
The seer says to Indra: “I do not resent your words, O swift one; nor do I begrudge the well-earned praise of your lordly power, for I know its truth. I continually utter your self-glorious name.”
Vasiṣṭha affirms a glad consent to the Divine Mind’s leading. The “words” of Indra are the inner promptings of illumined intelligence; the seeker does not resist them. The “well-praise of asurya” is not egoic boasting but recognition of Indra’s sovereign mastery (asura = lordly power of being). Constantly repeating Indra’s “name” means steady remembrance of the illumined consciousness so it can govern thought, speech, and action.
Spiritual progress requires joyful assent to the higher guidance. When the mind recognizes the Divine’s rightful sovereignty, remembrance becomes continuous, and speech aligns with truth rather than envy, doubt, or inner rebellion.
constancy in invocation, knowledge-based praise, divine self-glory, mastery
Vasiṣṭha family book (Maṇḍala 7) emphasizes Indra’s victorious illumination and the right ordering (ṛta) of the inner sacrifice.
Vasiṣṭha is a paradigmatic seer of steadiness and right harmony: he turns praise into a disciplined instrument for aligning human speech (vāc) with the supramental/illumined intention.
Breaker of obstructions, establisher of wide luminous order; leader who releases the rays (go) and the waters (ap).
Illumined intelligence and victorious will in the mind that compels falsehood and inertia to yield.
Indra-stotra within Soma-yajña (praise section accompanying offerings)
न ते॒ गिरो॒ अपि॑ मृष्ये तु॒रस्य॒ न सु॑ष्टु॒तिम॑सु॒र्य॑स्य वि॒द्वान् । सदा॑ ते॒ नाम॑ स्वयशो विवक्मि ॥
न । ते॒ । गिरः॑ । अपि॑ । मृ॒ष्ये॒ । तु॒रस्य॑ । न । सु॒ऽस्तु॒तिम् । अ॒सु॒र्य॑स्य । वि॒द्वान् । सदा॑ । ते॒ । नाम॑ । स्व॒ऽय॒शः॒ । वि॒व॒क्मि॒ ॥
na | te | giraḥ | api | mṛṣye | turasya | na | su-stutim | asuryasya | vidvān | sadā | te | nāma | sva-yaśaḥ | vivakmi
44
4 pādas of ~11 syllables each
Forward-driving, heroic cadence with emphatic caesurae suited to affirmation and victory.
Builds mental steadiness and confident assent; the rhythm ‘lifts’ speech into a more potent, directive vāc.
Affirmation of continual nāma-japa-like proclamation within Soma praise; stabilizes the relationship through constant utterance.
During Soma pressing/offerings and Indra invocations in the Soma liturgy
Recitation to strengthen Indra’s presence and secure victorious increase (vṛddhi)
Use as a daily ‘remembrance verse’ to replace inner complaint with consent to higher guidance.
√vid 'know' (vidvān) from PIE *weyd- 'see/know' (cf. Latin videō). nāma as 'name' is more than label: in Vedic poetics it is the power-sign of the deity invoked. asurya again denotes mastery rooted in asu (life-force), emphasizing sovereignty as a spiritual fact known by experience.
nāma as power-vibration, vidyā/knowing as basis of praise, asurya as mastery
Assent to Indra’s ‘words’ aligns thought and speech with ṛta rather than reactive ego.
Truth is recognized (“vidvān”) and therefore spoken as steady remembrance.
Manifestation through Word (giraḥ/vāc) guided by luminous sovereignty.
Proto-Vedāntic/Vedantic symbolism as read by Sri Aurobindo (psychological deities and inner sacrifice).
Storm-force becomes the mind’s victorious illumination; spoken hymn becomes the shaping power of consciousness.
Consent to the higher guidance in thought and speech; repeat Indra’s name as luminous remembrance.
ājñā (brow)
simple japa on exhale; brief pause after each pāda to feel ‘assent’ in silence
From restless mental reaction to settled illumined will.
Before speaking or deciding, inwardly offer the moment to Indra (illumined mind) and let speech arise only after a felt clarity.
Triṣṭubh recitation with Vedic udātta peaks on key verbs/nouns (e.g., mṛṣye, vidvān, vivakmi); anudātta grounding between accents; occasional svarita glide after udātta.
Keep each pāda as a single breath-unit if possible; emphasize the negations ‘na…na…’ without harshness; let ‘sadā’ open into continuity.
mṛṣye: vocalic ṛ, not ‘ri’, suṣṭutim: retroflex ṣṭ, crisp cluster, asuryasya: clear ‘su’ in ‘asurya’, avoid ‘asūrya’ lengthening unless taught by your śākhā, vivakmi: light ‘v’ and clean ‘km’ cluster
steady, bright, declarative
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