Sukta 4.46
इह प्रयाणमस्तु वामिन्द्रवायू विमोचनम् । इह वां सोमपीतये ॥
ihá pra-yā́ṇam astu vām índra-vāyū vi-mócanam | ihá vām sóma-pītaye ||
इन्द्र और वायु, तुम्हारी यात्रा यहीं से शुरू हो। यहीं से निकलो। यहाँ आओ, सोम पियो। तुम्हारी शक्ति हमारे अंदर चले आए। जो बंधन हैं वो खुल जाएँ, ताकि हम खुशी ले सकें बिना किसी रुकावट के।
Here be your going-forth, O Indra and Vāyu; here your release. Here for your Soma-drinking.
The mantra asks that the divine forces begin their true movement within the seeker ‘here’—in the embodied consciousness. ‘Prayāṇa’ is the forward journey of illumination and life-force into the knots of nature; ‘vimocana’ is the unbinding—release from constrictions (habit, fear, inertia, subconscient holds). The purpose is Soma-pīti: the unobstructed reception of delight. Indra’s light and Vāyu’s prāṇa together initiate the liberating motion that makes the being capable of ananda.
Freedom is not mere cessation but a right movement that loosens inner bonds; joy is received fully when mind and life-force are released into their true rhythm.
Here-and-now invocation, Release of bonds, Soma drinking, Indra-Vāyu synergy, Initiation of inner journey
Vāmadeva’s mantras often combine invocation with a demand for liberation—release of the concealed light and joy into active life.
He frames yoga as movement + release: progress (prayāṇa) and liberation (vimocana) culminating in ananda (Soma).
They set the currents of storm-wind and lightning-mind into motion, opening the ways and making the Soma offering effective.
Indra cuts through mental obscurity; Vāyu unties prāṇic congestion and restores free flow—together enabling a liberated reception of delight.
Soma rite: invitation emphasizing arrival and release for drinking
इ॒ह प्र॒याण॑मस्तु वा॒मिन्द्र॑वायू वि॒मोच॑नम् । इ॒ह वां॒ सोम॑पीतये ॥
इ॒ह । प्र॒ऽयान॑म् । अ॒स्तु॒ । वा॒म् । इन्द्र॑वायू॒ इति॑ । वि॒ऽमोच॑नम् । इ॒ह । वा॒म् । सोम॑ऽपीतये ॥
iha | pra-yānam | astu | vām | indravāyūiti | vi-mocanam | iha | vām | soma-pītaye
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3×8 (probable; verify)
Repetitive ‘iha’ gives anchoring beats; then a release-like cadence on vimocanam/somapītaye.
Anchors attention in the present, then induces a felt untying/expansion with the final cadence.
Soma rite: concluding/insistent invitation; request for arrival and ‘release’ (vimochana) enabling unobstructed Soma enjoyment
Around Soma offering moments where deities are asked to ‘come’ and partake; also as a transition verse
Āhvāna with a request for unobstructed participation
Use as a ‘clearing’ mantra before meditation: ask for forward movement and release from inner tension so joy can be received.
pra-yāṇa from √yā ‘go’ with pra- ‘forward’: initiating progress. vi-mocana from √muc ‘release, let go’ with vi- ‘apart, asunder’: undoing bindings. The repetition of iha underscores immanence: the divine work is to occur within the present embodied field, not only in a distant heaven.
mokṣa-like unbinding (muc as release) in a Vedic functional sense, removal of obstacles to ṛta-aligned action, immanence of the divine (iha)
Prayāṇa is movement in ṛta—progress that is ordered and truth-aligned.
Release allows satya to act without distortion from knots and coverings.
Unbinding the bound energies so the hidden delight can flow and nourish the gods within.
Yoga/Upaniṣadic anticipation: liberation through right movement of prāṇa and light of buddhi.
Journey = ascent of consciousness; Release = relaxation of constricted patterns; Soma = joy-substance.
‘Here’ practice: bring Indra’s clarity to the brow and Vāyu’s free flow to the breath; feel unbinding in chest/solar plexus; then receive quiet joy.
Maṇipūra (knots of force) releasing into Anāhata; Ājñā for Indra’s light
Exhale-lengthening (e.g., 4 in / 6 out) to induce vimocana; then natural breath for Soma reception.
Freed flow, luminous ease, receptive joy.
Chant once; on each ‘iha’ place awareness more firmly in the body; on ‘vimocanam’ relax jaw, throat, diaphragm; rest in a subtle sweetness after the chant.
Honor repeated ‘iha’ with consistent pitch/energy; apply udatta/anudatta/svarita as marked in your Saṃhitā accenting.
Make ‘iha’ crisp and identical each time; slightly lengthen ‘vimocanam’ to convey release.
prayāṇam: keep palatal y clear; long ā in yā, vimocanam: ‘mo’ long o; avoid ‘vimōchanam’ aspiration—c is unaspirated, somapītaye: long ī in pī
Soothing but firm; a ‘clearing’ timbre.
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