Sukta 3.41
मारे अस्मद्वि मुमुचो हरिप्रियार्वाङ्याहि । इन्द्र स्वधावो मत्स्वेह ॥
mā́re asmád ví mumucaḥ hári-priya ārvā́ṅ yāhi | índra svadhāvo mátsvehá ||
इंद्र, तुम हमसे दूर मत जाओ। तुम्हे घोड़े पसंद हैं, ठीक है, पर हमारे पास आओ। तुम अपनी मर्ज़ी के मालिक हो। यहाँ आओ, यहाँ खुश रहो। हमने यह सब तुम्हारे लिए किया है। इससे तुम खुश हो जाओ और हमारे काम आओ।
Do not go far from us; come here facing us, O lover of the tawny horses. Indra, master of your own power, rejoice here.
The rishi asks Indra not to ‘loosen away’—not to withdraw the illuminating force from the inner field. ‘Haripriya’ (lover of the tawny steeds) suggests the divine mind’s affinity with vibrant life-forces (hari as energies that carry Indra). The call ‘ārvāṅ yāhi’ is a demand for direct presence—illumination turned toward the seeker, not elsewhere. ‘Svadhāvaḥ’ indicates self-existent power: Indra can act from his own sovereign energy; therefore he is urged to take delight (matsva) in this very moment of offering and awakening.
Spiritual help becomes effective when we ask for sustained presence, not occasional visits. The higher clarity must turn toward our life and stay engaged, taking ‘delight here’ in our sincerity.
Invitation, Retention of deity, Soma-ecstasy, Luminous energies (hari)
Viśvāmitra’s tone often becomes intimate and insistent: not only praise but a direct demand for abiding divine presence.
Represents the mature aspirant’s stance: having tasted illumination, he asks for continuity—no withdrawal—so transformation can proceed.
Rider of the vital energies (hari) harnessed to light; bringer of immediate presence; sustainer of victorious force.
Sovereign, self-supported illumination that can remain engaged in the human field and intensify joy and clarity.
Indra-āvāhana (invitation) within Soma/oblations; a ‘do not depart’ formula
मारे अ॒स्मद्वि मु॑मुचो॒ हरि॑प्रिया॒र्वाङ्या॑हि । इन्द्र॑ स्वधावो॒ मत्स्वे॒ह ॥
मा । आ॒रे । अ॒स्मत् । वि । मु॒मु॒चः॒ । हरि॑ऽप्रिय । आ॒र्वाङ् । या॒हि॒ । इन्द्र॑ । स्व॒धा॒ऽवः॒ । मत्स्व॑ । इ॒ह ॥
mā | āre | asmat | vi | mumucaḥ | hari-priya | ārvāṅ | yāhi | indra | svadhāvaḥ | matsva | iha
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4 × ~11
Urgent and directive; imperatives create a pulling, ‘come-here’ momentum.
Stabilizes attention and calls back wandering energy; evokes a sense of near, vivid presence.
Soma invitation and retention formula: keep Indra present; urge immediate enjoyment of Soma in the rite
At the moment of welcoming/retaining the deity’s presence at the offering seat
Preventing the deity’s departure; turning him toward the sacrificer; encouraging enjoyment of Soma
Use when clarity fades: a ‘recall’ mantra to bring attention back; also before chanting/meditation sessions to invoke steadiness.
√muc ‘release’ (PIE *mewk- ‘slip, release’), with vi- indicating separation. hári- ‘tawny’ (steeds; also rays/energies) + priya ‘dear’. ārvā́ñc ‘turned hither’ (directional). √yā ‘go/come’ (PIE *h₁ey-). svadhā: sva ‘self’ + dhā from √dhā ‘place’ → ‘self-established power/law’; a key term for inherent capacity. matsva: from √mad ‘be exhilarated’.
svadhā as self-law (inner autonomy of divine power), stability of divine presence (not ‘departing’ from the field)
Right alignment requires the divine power to face the human field; withdrawal enables disorder/covering to return.
Truth is sustained by continued presence of illumination; svadhā indicates inherent truth-power.
Turning of the divine gaze toward the human—descent and stabilization of light.
Integral yoga: not escape but sustained divine engagement with life-energies (hari) for transformation.
Horses = vital energies; turning toward = focused illumination; not far = continuity of consciousness; rejoicing here = Ananda stabilizing in the present moment.
Recall and stabilize the illumined presence; harness vital energies to serve clarity.
Maṇipūra (vital mastery) rising to Ājñā (directed light)
Brisk-energetic 10–20 breaths (kapālabhāti light, if suitable), then settle into slow exhale recitation of ‘ārvāṅ yāhi… matsveha’.
Vivid immediacy; collected power; joyful engagement.
When attention ‘slips away’, speak inwardly ‘mā āre…’; then feel the ‘turning’ of awareness back to the heart/forehead center; end with a quiet savoring of ‘matsva iha’.
Rigvedic accents; imperatives benefit from crisp udātta execution; verify śākhā-specific accent marks for ‘ārvāṅ’.
Make ‘mā’ a clear prohibition; keep ‘ārvāṅ yāhi’ as the energetic peak; ‘matsveha’ as a settling cadence.
māre: long ā; distinct re, mumucoḥ: double mu; aspirate none; final ḥ light, haripriya: clear short i; trilled r, ārvāṅ: long ā; nasalization at ṅ; avoid inserting extra vowel, svadhāvaḥ: dh aspirated; long ā
Commanding yet devotional; bright forward tone; end with warm fullness on ‘iha’.
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