Sukta 10.64
नरा वा शंसं पूषणमगोह्यमग्निं देवेद्धमभ्यर्चसे गिरा । सूर्यामासा चन्द्रमसा यमं दिवि त्रितं वातमुषसमक्तुमश्विना ॥
narā́ vā śáṃsaṃ pūṣáṇam ágohyam agním devéddham abhy àrcase girā́ | sū́ryāmā́sā candrámasā yamáṃ diví tritáṃ vā́tam uṣásam aktúm aśvínā ||
तुम अपनी आवाज़ से नरशंस का गुण गा रहे हो। पूषन को बुला रहे हो जो छुपा है, और अग्नि को जो देवियों ने जलाया है। सूरज और चंद्रमा को बुला रहे हो। यम को आसमान में, त्रित और वायु को, उषा और रात को, और अश्विन दोनों भाइयों को। यह सब शक्तियाँ जाग रही हैं और काम कर रही हैं।
The hymn names and praises a sequence of divine powers—Narāśaṃsa, Pūṣan (the hidden), Agni kindled by the gods, the Sun and Moon powers, Yama in heaven, Trita, Vāta, Uṣas, Night, and the Aśvins—invoked by speech (girā).
This is an inner “roll-call” of powers needed for the integral sacrifice: the inspired Word calls forth (1) the power that perfects the human offering (Narāśaṃsa), (2) the Guide who finds the hidden paths and nourishes the soul’s journey (Pūṣan, ‘hidden’), (3) the divine Will/Flame awakened by higher powers (Agni deveddha), then the illumining and measuring lights (Sūrya–Māsa, Candramas), the law of right discernment and true ordering in the heights (Yama in divi), the triple-striving force that wins the waters/light (Trita), the life-breath and driving current (Vāta), the dawn of awakening (Uṣas), the needed interval of assimilation and concealment (Night), and the twin harmonisers of prāṇa and mind who bring swift help (Aśvins). Together they awaken, align, and ‘order’ the being into a coherent movement of ascent.
Spiritual progress is not one power but a coordinated ecology of consciousness: aspiration (Agni), guidance (Pūṣan), illumination (Sūrya/Uṣas), rhythm and measure (Māsa/Candra), right law and ethical truth in the higher mind (Yama), dynamic life-force (Vāta), persistence through obscurity (Night), and swift integrative aids (Aśvins). The Word (mantra) is the instrument that convenes these forces into harmony.
Deity litany, Cosmic powers, Day-night symbolism, Comprehensive invocation
Book 10 hymns frequently belong to diverse or later seer-lines; this verse’s litany style suggests a ‘Viśve Devāḥ’ or composite invocation milieu.
The seer’s stance is integrative: rather than a single deity-aspect, consciousness calls a mandala of powers to assemble the whole being for transformation—characteristic of inner-yoga readings where many faculties must be awakened in right order.
To establish a complete cosmic functioning in the sacrificer: guidance, will, illumination, measure, law, life-breath, awakening, and swift harmonisation.
A coordinated activation of aspiration (Agni), inner guidance (Pūṣan), illumined mind (Sūrya/Candra), ethical-psychic order (Yama), dynamic prāṇa (Vāta), awakening (Uṣas), and integrative healing (Aśvins).
Multi-deity invocation in soma/yajña contexts; also suitable as a general ‘āhvāna’ (calling) verse within a sequence.
नरा॑ वा॒ शंसं॑ पू॒षण॒मगो॑ह्यम॒ग्निं दे॒वेद्ध॑म॒भ्य॑र्चसे गि॒रा । सूर्या॒मासा॑ च॒न्द्रम॑सा य॒मं दि॒वि त्रि॒तं वात॑मु॒षस॑म॒क्तुम॒श्विना॑ ॥
नरा॒शंस॑म् । वा॒ । पू॒षण॑म् । अगो॑ह्यम् । अ॒ग्निम् । दे॒वऽइ॑द्धम् । अ॒भि । अ॒र्च॒से॒ । गि॒रा । सूर्या॒मासा॑ । च॒न्द्रम॑सा । य॒मम् । दि॒वि । त्रि॒तम् । वात॑म् । उ॒षस॑म् । अ॒क्तुम् । अ॒श्विना॑ ॥
narāśaṃsam | vā | pūṣaṇam | agohyam | agnim | deva-iddham | abhi | arcase | girā | sūryāmāsā | candramasā | yamam | divi | tritam | vātam | uṣasam | aktum | aśvinā
48
4 pādas × ~12 syllables (Jagatī norm)
Processional, enumerative cadence suited to a litany—each name landing like a distinct invocation.
Creates a ‘gathering’ effect: the listener feels successive awakenings of different inner faculties, culminating in a sense of ordered wholeness.
Catalog-invocation (devatā-smarana) to assemble multiple powers for a comprehensive working of the sacrifice and the day-night cycle
At points of inviting/establishing multiple devatās in the rite; especially in all-gods or mixed deity sections.
Recitation during offering/oblation sequences to align several cosmic functions.
As a preparatory meditation-chantscape: chant to ‘assemble’ inner powers before japa, prāṇāyāma, or contemplative inquiry.
narāśaṃsa: nara ‘men’ + śaṃsa ‘praise’ (√śaṃs ‘praise’). pūṣan from √puṣ ‘nourish’ (PIE *peh₂- ‘protect/feed’ in broad sense). agni from PIE *h₁n̥gʷnis (Latin ignis). √arc ‘praise’ relates to ritual speech. uṣas from PIE *h₂éwsōs (dawn). vāta from √vā ‘blow’ (PIE *h₂weh₁-). aśvin from aśva ‘horse’ (PIE *h₁éḱwos). yama from √yam ‘restrain/measure’.
cosmic order through time-measures, breath as life-force (Vāta), transition between concealment and illumination (Night/Uṣas)
The verse enacts ṛta by invoking powers of measure (Māsa/Candra), law (Yama), and illumined movement (Sūrya/Uṣas) to harmonise the being.
Truth is approached as a coordinated revelation: hidden guidance (Pūṣan) and illumining light (Sūrya) converge through Agni’s aspiration.
Awakening and ordering of the inner cosmos—light emerging from concealment (Uṣas/Night polarity) and the release of hidden plenitudes (Trita motif).
Proto-Vedāntic/Integral-Vedic (Aurobindo-style): deities as powers of consciousness rather than external nature alone.
Dawn-to-night cycle (Uṣas–Aktu)
A full psychophysical cycle: aspiration (fire), prāṇa movement (wind), awakening (dawn), assimilation in concealment (night), illumined truth (sun) and reflective mind-order (moon/measure).
Integral alignment: call and seat the inner powers—will (Agni), guidance (Pūṣan), illumination (Sūrya/Uṣas), calm mind-light (Candra), right law (Yama), prāṇa flow (Vāta), integration (Aśvins).
Anāhata (Agni as heart-flame) and Ājñā (Sūrya/Uṣas as illumination) as primary; Svādhiṣṭhāna/Manipūra as prāṇa-force (Vāta).
Gentle nāḍī-śodhana or 1:1 breathing while mentally ‘inviting’ each power on the inhale; pause after each name for felt presence.
Collected, widened, harmonised awareness (from scattered faculties to integrated poise).
Chant once slowly to establish the field; then silently repeat key names (Agni–Pūṣan–Uṣas–Aśvins) while noticing corresponding inner shifts (will, guidance, clarity, integration).
Follow Rigvedic udātta/anudātta/svarita as in Śākala śākhā; this verse is best learned from a pada-paṭha + svara audio source for exact accents.
Keep udātta as the ‘lift’ on the accented syllable; avoid flattening the litany—each deity-name should receive crisp articulation and its accentual rise.
Differentiate ś/ṣ/s clearly: śaṃsam (palatal ś), Hold long vowels: devēddham (ē), sūryāmāsā (ā), Retroflex ṭ in triṭam (if recited as tritaṃ, keep dental t; in this text ‘tritam’—dental t), Aśvinā: clear aś- (short a) and v (not b)
Clear, invocatory, slightly rising energy on each name; steady breath support.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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