Sukta 10.105
श्रिये ते पृश्निरुपसेचनी भूच्छ्रिये दर्विररेपाः । यया स्वे पात्रे सिञ्चस उत् ॥
śríye te pṛ́śnir upa-sécanī bhūc chríye dárvir arepā́ḥ | yayā́ své pā́tre siñcáse út ||
भगवान, तुम्हारी चमक और बड़ाई के लिए यह धन बरसे। जैसे पानी बरसता है, वैसे ही यह भी बरसे। जो चम्मच तुम उसे करते हो, वो साफ और साफ़ होनी चाहिए। उससे तुम अपने ही बर्तन में डालते हो।
For your splendour, may the dappled one become a pouring stream; for your splendour may the ladle be stainless—by which you pour out into your own vessel.
The “pṛśni” (dappled abundance—often a cow/wealth image) becomes the upasecanī, the inner pouring current: mixed, many-colored experiences are transmuted into a single stream of offering. The “darvi” (ladle) is the instrument of distribution—our will and discernment—made arepāḥ (unstained, unhurt), so the outpouring is pure. Indra’s splendour (śrī) increases when the seeker can pour the refined essence into the ‘own vessel’ (sve pātre): the prepared inner receptacle of consciousness.
Prosperity of the spirit is not accumulation but right circulation: purify the instrument, refine the mixed materials of life into a clear stream, and pour into a receptive inner vessel—then splendour grows.
increase of splendour, purification of instruments, right outpouring into the prepared vessel
The verse reads like a concise instruction for inner purity and right offering—an impersonal ‘manual’ tone typical of some late RV material.
Receives and releases the energizing flow; increases śrī by right distribution of power.
Capacity to turn mixed vital forces into a clear current and to pour it into the soul’s prepared receptacle.
Soma offering imagery; ladle and vessel language suits Soma-yajña
श्रि॒ये ते॒ पृश्नि॑रुप॒सेच॑नी भूच्छ्रि॒ये दर्वि॑ररे॒पाः । यया॒ स्वे पात्रे॑ सि॒ञ्चस॒ उत् ॥
श्रि॒ये । ते॒ । पृश्निः॑ । उ॒प॒ऽसेच॑नी । भू॒त् । श्रि॒ये । दर्विः॑ । अ॒रे॒पाः । यया॑ । स्वे । पात्रे॑ । सि॒ञ्चसे॑ । उत् ॥
śriye | te | pṛśniḥ | upa-secanī | bhūt | śriye | darviḥ | arepāḥ | yayā | sve | pātre | siñcase | ut
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4 pādas (probable 11-syllable cadence)
Liquid, ‘pouring’ movement with repeated śriye and siñc- sounds.
Encourages a felt sense of cleansing and inward filling; supports meditations on purity and receptivity.
Directly references offering implements (darvi, pātra): applicable to libation moments in Soma/ghṛta offerings; emphasizes purity and right channeling of the outpouring.
During libations/offerings; as a prosperity-śrī invocation in Indra sequences.
Consecration of the flow (stream) and instrument (ladle) so the offering is pure.
Use before meditation or work: ‘make the ladle stainless’ (purify intention), then ‘pour into the vessel’ (stabilize attention in the heart/inner cup).
śrī (prosperity/splendour; from √śrī/√śray ‘to lean on, resort’ → that on which one rests, fortune; in Vedic also radiance); pṛśni (speckled, many-colored; often symbolic of abundant nature); secanī (from √sic ‘to pour, sprinkle’); darvi (ladle; ritual tool → inner instrument of right action); arepā (a- privative + repa ‘stain/defect’).
Śrī as luminous fullness, purity (arepāḥ) as condition for right manifestation, right receptacle (pātra) as prepared consciousness
Rita is the correct proportion and purity of the outflow—measured offering rather than leakage.
Arepāḥ: truth-purity of the instrument; no admixture of false motive.
Transformation of multiplicity (pṛśni) into a coherent stream—cosmic integration mirrored in the seeker.
Inner yajña psychology; anticipates Upaniṣadic ‘vessel’ imagery of receptivity.
Life’s mixed movements become a purified flow of energy; the will becomes a clean ladle; the heart-mind becomes a stable cup.
Purify intention (ladle), refine energies into a single flow (stream), receive in inner cup (vessel).
Manipura (transformative ‘refining’) to Anahata (vessel of reception)
Exhale-focused practice (1:2 breathing) to ‘pour out’ restlessness; then natural inhalation to ‘receive’.
Clear, receptive, quietly luminous.
Before japa, pause and name the ‘stain’ (restlessness, ego-demand); offer it into the flow; then repeat the mantra feeling a cool stream filling a golden cup in the heart.
Not fully recoverable from the provided text; chant with steady Vedic tone and clear vowel lengths.
Emphasize the repeated śriye as a refrain; keep caesura after bhūt / arepāḥ if it feels natural.
pṛśnir: pronounce ṛ clearly (pṛ-), not ‘prish’, upasecanī: keep c as ‘ch’ (se-ca), long ī at end, arepāḥ: long ā, final ḥ audible, siñcase: palatal ñ (sin-ya-like nasal), not dental n
Clear and ‘liquid’ tone; slightly softer on pouring imagery to evoke flow.
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