Sukta 1.185
कतरा पूर्वा कतरापरायोः कथा जाते कवयः को वि वेद । विश्वं त्मना बिभृतो यद्ध नाम वि वर्तेते अहनी चक्रियेव ॥
katarā́ pū́rvā katarā́ aparā́yoḥ kathā́ jāte kaváyaḥ kó ví veda | víśvaṃ tmanā́ bibhṛtó yád dha nā́ma ví vartete áhanī cakriyéva ||
दिन और रात में से कौन पहले आया, कौन बाद में आया? कैसे पैदा हुए, कोई रिशि भी नहीं जानता। दोनों अपनी शक्ति से पूरा संसार उठा के चलते हैं। जैसे कोई चक्कर घूरता है, वैसे ही यह दोनों घूरते रहते हैं।
The poet wonders which is first and which later of Day and Night, how they were born, and who knows. Day and Night, bearing all by their own power, turn apart like a wheel.
The mantra points to a mystery of consciousness: illumination (Day) and obscurity (Night) alternate, yet both serve a cosmic order and ‘bear the whole’ by an inherent self-law (tmanā). The question ‘who knows?’ is not skepticism but a spur toward higher seeing (kavi-vision). The wheel imagery indicates cyclic movement of states in the seeker—expansion and contraction, clarity and clouding—until one rises to the standpoint that witnesses both and understands their origin in a greater unity.
Human experience moves in cycles of clarity and obscurity. Wisdom grows when we observe the alternation without being possessed by it, and seek the source beyond duality.
cosmogonic-riddle, time-cycle, day-night, epistemic-humility
The seer here functions as a metaphysician of experience, turning natural dualities into questions that push the mind toward the supramental ‘who knows’—the higher gnosis that comprehends opposites.
Regulators of time and alternation; custodians of rhythm (ṛta) in manifestation through cycles of concealment and revelation.
They represent the oscillation of awareness between luminous mind and veiling subconscient; their right functioning matures discernment and steadiness.
Rodasī/Dyāvā-Pṛthivī contextual recitation; also suitable for dawn/evening contemplations within broader Vedic liturgy (general).
क॒त॒रा पूर्वा॑ कत॒राप॑रा॒योः क॒था जा॒ते क॑वय॒: को वि वे॑द । विश्वं॒ त्मना॑ बिभृतो॒ यद्ध॒ नाम॒ वि व॑र्तेते॒ अह॑नी च॒क्रिये॑व ॥
क॒त॒रा । पूर्वा॑ । क॒त॒रा । अप॑रा । अ॒योः । क॒था । जा॒ते इति॑ । क॒व॒यः॒ । कः । वि । वे॒द॒ । विश्व॑म् । त्मना॑ । बि॒भृ॒तः॒ । यत् । ह॒ । नाम॑ । वि । व॒र्ते॒ते॒ । अह॑नी॒ इति॑ । च॒क्रिया॑ऽइव ॥
katarā | pūrvā | katarā | aparā | ayoḥ | kathā | jāte iti | kavayaḥ | kaḥ | vi | veda | viśvam | tmanā | bibhṛtaḥ | yat | ha | nāma | vi | vartete | ahanī iti | cakriyāiva
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4 pādas × 11 syllables (Triṣṭubh norm; verify with full saṃhitā syllabification)
Inquiry-driven, slightly forceful cadence—good for philosophical questioning.
Creates alertness and contemplative intensity; supports ‘vicāra’ (inner inquiry) without agitation.
Contemplative/cosmogonic recitation; supports reflection on cosmic order and cyclic time within ritual framing
At transitions of day—sunrise/sunset—or in rites acknowledging cosmic order and time.
Stuti (praise) and vidyā-vicāra (evocative questioning) to align with ṛta.
A contemplation mantra for those caught in mood-cycles: recite at dawn or before sleep to cultivate the witness consciousness.
ahanī (day-night dual) from ahan ‘day’. √vṛt ‘turn’ (PIE *wert- ‘turn’, cf. Latin vertere, English ‘wart’?; clearer cognate: ‘convert’, ‘vertex’). √bhṛ ‘bear’ (PIE *bʰer- ‘carry’, cf. English ‘bear’). tman ‘self’ is archaic Indo-Iranian. The verse is a cosmogonic riddle-form typical of early IE poetics.
cosmic duality and cyclic time, limits of human knowledge (riddle: who knows?), self-sustaining order (tmanā) as ṛta
Day/Night turning ‘like a wheel’ images ṛta as periodic law sustaining the world.
The ‘who knows?’ implies a higher satya-vision that can see birth and priority of opposites.
Emergence of duality within manifestation; alternation as a means of sustaining the ‘all’.
Vedic proto-metaphysics leading toward Upaniṣadic inquiry (witness standpoint beyond pairs).
Dawn and dusk (implicit through alternation)
Alternation of mental clarity and subconscious veil; the wheel is breath-time and thought-time cycling until steadied.
Witness the alternation of inner day and night; inquire into their origin in a deeper Self.
Ājñā (witnessing and discernment)
Simple observation of breath for 3 minutes, then chant once per exhale; pause after each pāda for silent inquiry.
From identification with changing states to sākṣī-bhāva (witness consciousness).
After chanting, ask inwardly: ‘What is aware of both clarity and obscurity?’ Rest in that awareness without seeking an immediate conceptual answer.
Triṣṭubh chanting with clear udātta lifts on interrogatives (katarā, kathā, kaḥ) as per traditional accenting; exact svara requires annotated text.
Keep the questioning words crisp; slight pause after each interrogative phrase to preserve the contemplative force.
katarā: roll/light tap on r; long ā at end, kavayaḥ: ‘vay’ as va-yaḥ, not ‘vei’, tmanā: initial cluster tm- articulated (tma), cakriyeva: cak-ri-ye-va, keep ‘ye’ clear
Quiet, inquiry-toned, steady.
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