Sukta 1.117
एतानि वामश्विना वीर्याणि प्र पूर्व्याण्यायवोऽवोचन् । ब्रह्म कृण्वन्तो वृषणा युवभ्यां सुवीरासो विदथमा वदेम ॥
etā́ni vāmaśvinā vīryā́ṇi prá pūrvyā́ṇy ā́yavo’vocan | bráhma kṛṇvánto vṛṣaṇā yuvábhyāṁ suvī́rāso vidátham ā́ vadema ||
लोगों ने अश्विन भाई के पुराने काम बताए हैं। वो बहुत ताकतवाले हैं। हम भी उनकी पूजा करते हैं और मंत्र बोलते हैं। इससे हम लोगों में भी ताकत आती है और सबके सामने बात कर सकते हैं।
These heroic deeds of the Ashvins, ancient ones, have the seekers proclaimed. Making the brahman (mantra-force) for you two, O strong ones, may we, rich in heroes, speak in the assembly.
The verse turns from narrative to method: the āyavaḥ (seekers) proclaim the divine vīryāṇi (powers) to awaken those same powers in themselves. ‘Brahma kṛṇvantaḥ’ means forging the mantra-force—concentrated word of vision—so speech becomes an instrument of realization. ‘Suvīrāsaḥ’ are not merely brave men but inner heroes: purified energies and courageous faculties that can stand in the vidatha (assembly of the gods within, the awakened consciousness) and articulate truth.
Praising the divine powers is itself a yoga: by consciously shaping mantra (brahman), we build inner heroism and gain the right to speak from an awakened assembly rather than from confusion.
hymnic self-reference, mantra as creative act, community of seekers
Āṅgirasa tradition treats mantra as a tool to recover and embody illumination; praise is a means of invoking and becoming the powers praised.
This concluding turn emphasizes the Vedic secret: brahman (mantra) is a creative act; by making it, the seeker becomes suvīra—capable of participating in the inner vidatha.
Swift twin powers who enact ancient restorations and renewals; patrons of the aspirant’s progress.
They respond to shaped mantra-force, strengthening inner heroism and enabling true speech in the awakened consciousness.
Concluding praise (phala-śruti-like function) within an Aśvin hymn; supports communal recitation and offering contexts.
ए॒तानि॑ वामश्विना वी॒र्या॑णि॒ प्र पू॒र्व्याण्या॒यवो॑ऽवोचन् । ब्रह्म॑ कृ॒ण्वन्तो॑ वृषणा यु॒वभ्यां॑ सु॒वीरा॑सो वि॒दथ॒मा व॑देम ॥
ए॒तानि॑ । वा॒म् । अ॒श्वि॒ना॒ । वी॒र्या॑णि । प्र । पू॒र्व्याणि॑ । आ॒यवः॑ । अ॒वो॒च॒न् । ब्रह्म॑ । कृ॒ण्वन्तः॑ । वृ॒ष॒णा॒ । यु॒वऽभ्या॑म् । सु॒ऽवीरा॑सः । वि॒दथ॑म् । आ । व॒दे॒म॒ ॥
etāni | vām | aśvinā | vīryāṇi | pra | pūrvyāṇi | āyavaḥ | avocan | brahma | kṛṇvantaḥ | vṛṣaṇā | yuva-bhyām | su-vīrāsaḥ | vidatham | ā | vadema
44
4 × ~11
Concluding, declarative triṣṭubh: public proclamation and resolve; strong caesuras suit ‘pra… avocan’ and ‘ā vadema’.
Energizes resolve: turns listening into participation—one feels ready to ‘speak in the assembly’ of higher consciousness.
Concluding/transition verse: affirmation of praise as brahman in the sacrificial assembly; used as a summative recitation in Aśvin hymns
At the close of hymn sequences to affirm proclamation and the making of brahman.
Recitation as a seal: declaring the deeds, then offering the crafted brahman to the deities.
Use as an affirmation after chanting: ‘I forge mantra-force and cultivate inner heroism; may my speech arise from awakened clarity.’
vīrya from vīra ‘hero’ (root complex of strength) → potency. brahman from √bṛh ‘to expand’ (as word-force that enlarges consciousness). vidatha possibly from √vid ‘to know’ → ‘place/act of knowing’ as well as ritual assembly. āyavaḥ linked to āyu ‘life’ and movement toward—aspirants who press forward with life-energy.
Brahman (mantric force), Vidatha (assembly of knowing/offering), Vīrya (spiritual potency)
Speaking in the vidatha implies speech aligned with ṛta—truth-effective utterance.
Proclamation is not propaganda but satya-vāk: speech that participates in the real.
Mantra as creation: brahman ‘made’ by the seeker becomes a formative power in consciousness.
Mantra-śakti orientation; anticipates Upaniṣadic emphasis on vāṅmaya brahman (word as power) in a Vedic key.
dawn-to-day transition (hymn context)
As light rises, the inner assembly convenes; mantra-forging is like kindling a force that makes the being ‘hero-rich’.
Mantra-śakti: feel the sound as a crafted force; end with a vow of truthful speech and courageous action.
Viśuddha (mantra/speech) and Maṇipūra (heroic force)
Chant on a steady exhale; brief pause after each pāda to ‘seal’ the brahman in silence.
From receptive devotion to active, luminous resolve.
After recitation, write one sentence of ‘ṛta-vāk’ (truth-effective intention) for the day; act on it to embody suvīrya (inner heroism).
Keep accent fidelity; triṣṭubh benefits from clear pāda breaks—do not blur ‘pra… avocan’ and ‘ā vadema’.
Let the concluding ‘ā vadema’ land with a gentle downward settle (not loud, but decisive).
etāni: long ā; dental t, vīryāṇi: ‘īr’ long; retroflex ṇ, pūrvyāṇi: ‘pūrv’ with clear rv cluster, brahma kṛṇvantaḥ: vocalic ṛ in kṛ-; anusvāra in -antaḥ with visarga breath, vṛṣaṇā: retroflex ṇ; long ā at end, vidatham: dental th aspirated, not ‘t’
Firm, bright, declarative—like a concluding seal of the hymn.
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