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Valmiki Ramayana 6.39.9: Yuddha Kanda, Sarga 39, Shloka 9

लङ्कादर्शनम्

Viewing Laṅkā and its Forest-Gardens

नत्यूहकोयष्टिमकैर्नृत्यमानैश्चबर्हिभि ।

रुतंपरभृतानांचशुश्रुवुर्वन्निर्झरे ॥९॥

Recitation with translationValmiki Ramayana 6.39.9

natyūhakoyaṣṭimakair nṛtyamānaiś ca barhibhiḥ |

rutaṃ parabhṛtānāṃ ca śuśruvur van-nirjhare ||9||

उस जंगल में पानी गिर रहा था जैसे वॉटरफॉल। वहाँ कोयल की आवाज़ सुनाई दी। मोर नाच रहे थे। पानी के पंछी भी चिल्ला रहे थे, तीतर, बगुला और बाकी पक्षी।

नत्यूह-कोयष्टिमकैःby gallinules and lapwings (etc.)
नत्यूह-कोयष्टिमकैः:
Karaṇa (करण)
TypeNoun
Rootनत्यूह (प्रातिपदिक) + कोयष्टिमक (प्रातिपदिक)
Formपुंलिङ्गे तृतीया-विभक्तिः (करणे/सह) बहुवचनम्; द्वन्द्वसमासः (समाहार/इतरेतर)
नृत्यमानैःdancing
नृत्यमानैः:
Karaṇa (करण)
TypeAdjective
Rootनृत् (धातु) + शानच् (कृदन्त)
Formवर्तमानकाले शतृ/शानच्-प्रत्ययान्तः (present active participle); पुंलिङ्गे तृतीया बहुवचनम्; विशेषणम् (पूर्वपदस्य पक्षिणां)
चand
च:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-निपातः (conjunction)
बर्हिभिःby peacocks
बर्हिभिः:
Karaṇa (करण)
TypeNoun
Rootबर्हिन् (प्रातिपदिक)
Formपुंलिङ्गे तृतीया-विभक्तिः बहुवचनम्
रुतम्sound, song
रुतम्:
Karma (कर्म)
TypeNoun
Rootरुत (प्रातिपदिक)
Formनपुंसकलिङ्गे द्वितीया-विभक्तिः एकवचनम्
परभृतानाम्of cuckoos
परभृतानाम्:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootपरभृत (प्रातिपदिक)
Formपुंलिङ्गे षष्ठी-विभक्तिः बहुवचनम् (genitive plural)
चand
च:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-निपातः (conjunction)
शुश्रुवुःthey heard
शुश्रुवुः:
Kriyā (क्रिया)
TypeVerb
Rootश्रु (धातु)
Formलिट्-लकारः (परोक्शभूत/Perfect); परस्मैपदम्; प्रथमपुरुषः बहुवचनम्
वन्-निर्झरेin the forest with cascades
वन्-निर्झरे:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootवन (प्रातिपदिक) + निर्झर (प्रातिपदिक)
Formसप्तमी-विभक्तिः एकवचनम्; तत्पुरुषसमासः (वनस्य निर्झरः/निर्झरयुक्तं वनम्)

The Vanaras heard the singing of cuckoos, dancing of peacocks, crying of gallinules, lapwings and herons from the gardens abounding in cascades.

P
peacocks (barhin)

FAQs

The verse mainly builds atmosphere, but ethically it supports the Ramayana’s contrast: nature’s harmony can surround human conflict born of adharma. Dharma is the conscious choice to restore rightful order despite a world that may look peaceful.

A continuation of the scenic portrayal of Laṅkā’s groves—now emphasizing sounds: birds, peacocks, and the presence of waterfalls.

Attentiveness and composure: the ability to observe the world clearly while remaining committed to the dharmic task ahead.

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