रम्भा
प्रलोभनम् · Rambhā’s Temptation and Viśvāmitra’s Curse
Addressed to RamaSetting: hermitage/grove setting implied by cuckoo-call
कोकिलस्य च शुश्राव वल्गु व्याहरतः स्वनम् ।
सम्प्रहृष्टेन मनसा तत एनामुदैक्षत ॥९॥
kokilasya ca śuśrāva valgu vyāharataḥ svanam |
samprahṛṣṭena manasā tata enām udaikṣata ||9||
उसको कोयल की आवाज़ सुनाई दी। वो आवाज़ बहुत प्यारी थी। उसका मन खुश हो गया। फिर उसने उस औरत को देखा।
Excited by the charming warble of the cuckoo, Viswamitra opened his eyes.
The fall begins subtly: a pleasing sound, a delighted mind, a turning gaze—therefore guard the first movement of attention.
Practical cue for meditation: notice the moment the mind 'turns to look'—return to the object before delight becomes attachment.
The first breach is not action but attention: the mind turns outward (bahirmukhatā) upon sound; the gaze symbolizes the drift from witnessing to grasping.
Praśna/Kaṭha themes: senses run outward; the wise turn them inward—here the opposite movement begins.
Vasanta (implied by kokila)
Sanskrit kāvya: kokila as vasanta messenger of desire (common parallel); Mahābhārata: sensory triggers leading to fall from tapas (motif)
Vasanta-kokila imagery as kāma-udīpana (love-stimulant)
Immediate continuation in Bālakāṇḍa describing Viśvāmitra’s disturbance and ensuing consequences
Anuṣṭup (śloka)
Narrative
Melodic emphasis on valgu-vyāharataḥ svanam; gentle lilt mimicking kokila
It shows how sense-contact (sound) can agitate the mind; dharma in ascetic life requires guarding attention so that delight does not become downfall.
As part of Indra’s plan, the cuckoo-call is heard; Viśvāmitra’s attention shifts, and he looks toward Rambhā.
The verse primarily highlights a vulnerability rather than a virtue: the mind’s susceptibility—an instructive contrast to the virtue of unwavering concentration.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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