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Valmiki Ramayana 2.9.13: Ayodhya Kanda, Sarga 9, Shloka 13

मन्थराप्रेरणा · वरद्वय-स्मरणं च

Manthara’s Provocation and the Recalling of Two Boons

Spoken by Manthara to Kaikeyi

स शम्बर इति ख्यातश्शतमायो महासुरः ।

ददौ शक्रस्य सङ्ग्रामं देवसङ्घैरनिर्जितः ॥१३॥

Recitation with translationValmiki Ramayana 2.9.13

sa śambara iti khyātaḥ śatamāyo mahāsuraḥ |

dadau śakrasya saṅgrāmaṃ devasaṅghair anirjitaḥ ||13||

शम्बर नाम का एक बड़ा असुर था। लोग उसे शतमाया भी कहते थे क्योंकि वो सौ तरीके से धोखा देता था। उसने इंद्र को लड़ाई के लिए चैलेंज किया। देवताओं की पूरी सेना भी उसे हरा नहीं पायी थी।

तस्मिन्in that
तस्मिन्:
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, सप्तमी-विभक्ति (Locative/अधिकरण), एकवचन; सर्वनाम
RoleAdhikarana (अधिकरण)
महतिgreat
महति:
TypeAdjective
Rootमहत् (प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, सप्तमी-विभक्ति, एकवचन; ‘सङ्ग्रामे’ विशेषणम्
RoleAdhikarana (अधिकरण)
सङ्ग्रामेin the battle
सङ्ग्रामे:
TypeNoun
Rootसङ्ग्राम (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (Locative/अधिकरण), एकवचन
RoleAdhikarana (अधिकरण)
पुरुषान्men/warriors
पुरुषान्:
TypeNoun
Rootपुरुष (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative/कर्म), बहुवचन
RoleKarma (कर्म)
क्षतविक्षतान्wounded and mangled
क्षतविक्षतान्:
TypeAdjective
Rootक्षत-विक्षत (प्रातिपदिक; क्षत+विक्षत)
Formपुंलिङ्ग, द्वितीया-विभक्ति, बहुवचन; ‘पुरुषान्’ विशेषणम्
RoleKarma (कर्म)
CompoundDvandva
रात्रौat night
रात्रौ:
TypeNoun
Rootरात्रि (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी-विभक्ति (Locative/अधिकरण), एकवचन
RoleAdhikarana (अधिकरण)
प्रसुप्तान्fast asleep
प्रसुप्तान्:
TypeVerb
Rootप्र-स्वप् (धातु)
Formक्त-प्रत्ययान्त (PPP used adjectivally), पुंलिङ्ग, द्वितीया-विभक्ति, बहुवचन; ‘पुरुषान्’ विशेषणम्
RoleKarma (कर्म)
घ्नन्तिkill
घ्नन्ति:
TypeVerb
Rootहन् (धातु)
Formलट्-लकार (Present), परस्मैपदम्, प्रथमपुरुष, बहुवचन
RoleKriya (क्रिया)
स्मindeed/used to
स्म:
TypeIndeclinable
Rootस्म (अव्यय)
Formस्म-निपातः (particle indicating past/continuative sense with present form)
RoleSambandha (निपात/सम्बन्ध)
तरसाby force/rapidly
तरसा:
TypeNoun
Rootतरस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (Instrumental/करण), एकवचन; क्रियाविशेषणवत् (adverbial instrumental)
RoleKarana (करण)
आसाद्यhaving approached
आसाद्य:
TypeVerb
Rootआ-सद् (धातु)
Formक्त्वान्त-अव्यय (Gerund), ‘having approached/attacked’
RolePurvakala-kriya (पूर्वकालक्रिया)
राक्षसाःrakshasas
राक्षसाः:
TypeNoun
Rootराक्षस (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/कर्ता), बहुवचन
RoleKarta (कर्ता)
  • तस्मिन्महति = तस्मिन् + महति। पुरुषान्क्षतविक्षतान् = पुरुषान् + क्षतविक्षतान्। प्रसुप्तान्घ्नन्ति = प्रसुप्तान् + घ्नन्ति। तरसाऽऽसाद्य = तरसा + आसाद्य (आ + आ → आऽऽ)।

That mighty asura well-known as Sambara, capable of a hundred deceitful forms, challenged Indra to a battle which could not be conquered by hosts of gods.

Adharma often advances through deception (māyā); dharma must meet it with courage and clarity.

Ethical theme
Cosmic order vs adharma

Reminder to confront inner 'māyā' (delusion) with steadiness; vigilance against deception.

Deity praised
Indra (Śakra)
Rasa
Raudra (fury), with Vira (heroism)
Mood
Menacing, defiant, battle-charged

Themes

  • Itihasa
  • Conflict of Devas and Asuras
  • Dharma vs Adharma
  • Illusion (māyā)

Ś
Śambara
Ś
Śakra/Indra

FAQs

Dharma is framed through cosmic conflict: deceitful power (māyā) aligned with adharma challenges rightful order, requiring steadfast resistance.

Mantharā describes the formidable asura Śambara and the threat posed to Indra, setting the stage for Daśaratha’s involvement.

Courage and perseverance in the face of overwhelming, deceptive opposition.

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