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Valmiki Ramayana 2.65.20: Ayodhya Kanda, Sarga 65, Shloka 20

अयोध्याकाण्डे पञ्चषष्टितमः सर्गः · Daśaratha’s Death Discovered in the Palace

Morning Rites Turn to Lament

Setting: Ayodhyā palace (inner apartments)Places named: araƴ7ya (forest)

ततः प्रचुक्रुशुर्दीना स्सस्वरं ता वराङ्गनाः ।

करेणव इवारण्ये स्थानप्रच्युतयूथपाः ॥२०॥

Recitation with translationValmiki Ramayana 2.65.20

tataḥ pracukruśur dīnāḥ sasvaraṃ tā varāṅganāḥ |

kareṇava ivāraṇye sthānapracyutayūthapāḥ ||20||

फिर वो सब औरतें दर्द में ज़ोर से रोने लगी। जैसे जंगल में हाथी की मादा अपने ग्रुप के सरदार को खो के रोए, वैसे ही वो भी रोई।

ततःthen
ततः:
TypeIndeclinable
Rootततः (अव्यय-प्रातिपदिक)
Formअव्यय, अनन्तरवाचक
Roleसम्बन्ध/कालाधिकरण
प्रचुक्रुशुःwailed/cried out
प्रचुक्रुशुः:
TypeVerb
Rootप्र-क्रुश् (धातु)
Formलिट्-लकार (Perfect), प्रथम-पुरुष, बहुवचन; परस्मैपद; अर्थ: 'cried out loudly/wailed'
Roleक्रिया
दीनाःdistressed
दीनाः:
TypeAdjective
Rootदीन (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; विशेषण (वराङ्गनाः/ताः)
Roleकर्ता-विशेषण
सस्वरम्loudly
सस्वरम्:
TypeIndeclinable
Rootस-स्वर (प्रातिपदिक; स + स्वर)
Formअव्ययीभाव-समास; क्रियाविशेषण (adverb) 'with voice/loudly'
Roleक्रिया-विशेषण (Manner adverb)
CompoundAvyayibhava
ताःthose
ताः:
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन
Roleकर्ता (Karta)
वराङ्गनाःnoble women
वराङ्गनाः:
TypeNoun
Rootवर-अङ्गना (प्रातिपदिक; वर + अङ्गना)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; कर्मधारय (श्रेष्ठा अङ्गना = noble women)
Roleकर्ता (Karta; apposition to ताः)
CompoundKarmadharaya
करेणवःfemale elephants
करेणवः:
TypeNoun
Rootकरेणु (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; उपमान (standard of comparison)
Roleउपमान (Upamāna)
इवlike
इव:
TypeIndeclinable
Rootइव (अव्यय)
Formअव्यय, उपमा-निपात
Roleसम्बन्ध
अरण्येin the forest
अरण्ये:
TypeNoun
Rootअरण्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (अधिकरण), एकवचन
Roleअधिकरण (Location)
स्थानप्रच्युतयूथपाःwhose herd-leader has been driven from his place
स्थानप्रच्युतयूथपाः:
TypeAdjective
Rootस्थान-प्रच्युत-यूथप (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन; बहुपद-तत्पुरुष (स्थानात् प्रच्युतः यूथपः यस्याः/येषाम्—here qualifying करेणवः: whose herd-leader is displaced from his place)
Roleउपमान-विशेषण
CompoundTatpurusha
  • दीनाः + सस्वरम् → दीनास्सस्वरम् (व्यञ्जन-सन्धि)
  • ताः + वराङ्गनाः → ता वराङ्गनाः (स्वर-सन्धि/दीर्घ)
  • करेणवः + इव → करेणव इव (विसर्ग-लोप/पदच्छेद)

Then those women bewailed bitterly and loudly in distress like female elephants in the forest when their leader has fallen out of the herd.

Even royal prosperity is fragile; when the protector falls, the protected are shaken.

Ethical theme
Anityatā/saƴ3sāra-duḥkha

Cultivates vairāgya and karuƴ7ā through contemplation of impermanence and shared suffering.

Rasa
Karuna (compassion), with Bhayanaka (fear)
Mood
Piercing, bewildered, lamenting

Themes

  • Itihasa
  • Śoka
  • Dharma
  • Rajadharma
  • Impermanence

P
palace women (varāṅganāḥ)
F
forest (araṇya)

FAQs

It underscores the fragility of worldly support: when the protector (king/leader) falls, dependents suffer. Dharma here is the implied duty of protection in kingship and the human cost when that support ends.

The palace women begin to cry out loudly after realizing the calamity in the royal household—Daśaratha’s passing and the ensuing shock.

Not a single virtue of one character, but the verse highlights the social role of a righteous ruler as a stabilizing center, analogous to a herd-leader.

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