एकोनषष्ठितमः सर्गः (Sarga 59): सुमन्त्रवाक्यं, अयोध्याविषादः, दाशरथिशोकसागरः
Spoken by King Daśaratha to SumantraSetting: Ayodhya (palace)
न सुहृद्भिर्नचामात्यैर्मन्त्रयित्वा न नैगमैः ।
मयायमर्थस्सम्मोहात् स्त्रीहेतो स्सहसा कृतः ॥२३॥
na suhṛdbhiḥ na ca amātyaiḥ mantrayitvā na naigamaiḥ |
mayā ayam arthaḥ sammohāt strī-hetoḥ sahasā kṛtaḥ ||23||
ना दोस्तों से पूछा, ना मंत्रियों से। ना शहर के समझदार लोगों से। मैं पागल हो गया था। औरत के लिए ऐसे ही, बिना सोचे, यह फैसला कर लिया।
For the sake of a woman, this act was committed in great haste, without consulting friends or ministers or men of prudence.
Private desire must not override public duty; haste without counsel is a breach of rājadharma.
Supports daily self-audit (svādhyāya) before action: consult wise counsel, reduce moha; cultivates humility and restraint.
Sammohā is avidyā’s effect; acting from it binds one to duḥkha—repentance is the first movement toward viveka.
Īśa’s call to live by right action (kurvann eveha karmāṇi) is inverted here: action done without wisdom becomes bondage (thematic).
Vālmīki Rāmāyaṇa 2.12 (Daśaratha’s helplessness under boons); Vālmīki Rāmāyaṇa 2.42-2.44 (public grief showing consequence of private decision); Mahābhārata Śānti Parvan (nīti: king should consult ministers and citizens—topos); Rāmacaritamānasa Ayodhyākāṇḍa (Daśaratha’s remorse motifs)
Nītiśāstra tradition: triad of counsel—friends, ministers, and public elders
2.59.22 (neglect of mantrakuśala elders)
Anuṣṭup (śloka)
Solemn
Measured, didactic cadence; emphasis on ‘na … na … na’ anaphora
A king must not let personal attachment override dharma; decisions affecting the kingdom should be made through truthful deliberation with wise stakeholders, not through delusion and haste.
Daśaratha confesses that Rama’s exile resulted from his rash, deluded action taken without counsel.
The virtue emphasized by negation is self-control and discernment; Daśaratha’s admission underscores the need for restraint against impulsive, desire-driven choices.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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