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Valmiki Ramayana 2.54.43: Ayodhya Kanda, Sarga 54, Shloka 43

भरद्वाजाश्रमप्राप्तिः · Arrival at Bharadvāja’s Hermitage and Counsel toward Citrakūṭa

Spoken by Bharadvaja to RamaSetting: Approach to Citrakūṭa region (described as vasudhādhara-giri)Places named: Citrakūṭa (implied by immediate narrative context)Arrival/selection of dwelling-place

प्रहृष्टकोयष्टिककोकिलस्वनैर्विनादितं तं वसुधाधरं शिवम् ।

मृगैश्च मत्तैर्बहुभिश्च कुञ्जरैः सुरम्यमासाद्य समावसाश्रमम् ॥४३॥

Recitation with translationValmiki Ramayana 2.54.43

prahṛṣṭa-koyaṣṭika-kokila-svanair vināditaṃ taṃ vasudhādharaṃ śivam |

mṛgaiś ca mattair bahubhiś ca kuñjaraiḥ suramyam āsādya samāvasa āśramam ||43||

वहाँ पहाड़ी पर कोयल और पक्षी की आवाज़ें सुनाई देती हैं। हिरन और हाथी वहाँ घूमते हैं। यह जगह बहुत अच्छी है। वहाँ जाकके आश्रम बना के रहो।

prahṛṣṭa-kōyaṣṭika-kōkila-svanaiḥby the sounds of cheerful lapwings and cuckoos
prahṛṣṭa-kōyaṣṭika-kōkila-svanaiḥ:
TypeNoun
Rootprahṛṣṭa (कृदन्त) + kōyaṣṭika (प्रातिपदिक) + kōkila (प्रातिपदिक) + svana (प्रातिपदिक)
FormInstrumental (3rd/तृतीया), Plural (बहुवचन); svana-śabdaḥ pradhānaḥ; pūrvapadāni viśeṣaṇāni (sounds of cheerful lapwings and cuckoos)
RoleKarana (करणम्/Instrument)
CompoundTatpurusha
vināditamechoed/resounding
vināditam:
TypeAdjective
Rootvi-nad (धातु) + ta (कृत् प्रत्यय)
FormPast passive participle (क्त/ta); Neuter, Accusative (2nd/द्वितीया), Singular (एकवचन); agrees with 'tam (vasudhādharam)' as described object
RoleKarma (कर्म/Object)
tamthat
tam:
TypeNoun
Roottad (सर्वनाम प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular; demonstrative pronoun
RoleKarma (कर्म/Object)
vasudhādharamthe mountain (earth-bearer)
vasudhādharam:
TypeNoun
Rootvasudhā (प्रातिपदिक) + dhara (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular; ṣaṣṭhī-tatpuruṣa: vasudhāyāḥ dharaḥ (earth-holder = mountain)
RoleKarma (कर्म/Object)
CompoundTatpurusha
śivamauspicious/benign
śivam:
TypeAdjective
Rootśiva (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular; viśeṣaṇa of vasudhādharam
RoleKarma (कर्म/Object)
mṛgaiḥby deer/animals
mṛgaiḥ:
TypeNoun
Rootmṛga (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural
RoleKarana (करणम्/Instrument)
caand
ca:
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चयबोधक अव्यय)
RoleSambandha (सम्बन्ध/Connector)
mattaiḥby intoxicated
mattaiḥ:
TypeAdjective
Rootmatta (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural; viśeṣaṇa of mṛgaiḥ/kuñjaraiḥ (intoxicated)
RoleKarana (करणम्/Instrument)
bahubhiḥby many
bahubhiḥ:
TypeAdjective
Rootbahu (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural; viśeṣaṇa of kuñjaraiḥ
RoleKarana (करणम्/Instrument)
caand
ca:
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चयबोधक अव्यय)
RoleSambandha (सम्बन्ध/Connector)
kuñjaraiḥby elephants
kuñjaraiḥ:
TypeNoun
Rootkuñjara (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural
RoleKarana (करणम्/Instrument)
suramyamexceedingly charming
suramyam:
TypeAdjective
Rootsu- (उपसर्ग) + ramya (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular; viśeṣaṇa of vasudhādharam; su- = intensifier (very)
RoleKarma (कर्म/Object)
āsādyahaving reached
āsādya:
TypeVerb
Rootā-sad (धातु) + ya (ल्यप्/gerund)
FormAbsolutive/Gerund (ल्यप्); indeclinable verbal form; expresses prior action 'having reached'
RoleKriya-visheṣaṇa (क्रियाविशेषण/Preceding action)
samāvasadwell/stay
samāvasa:
TypeVerb
Rootsam-ā-vas (धातु)
FormImperative (लोट्), 2nd person, Singular; Parasmaipada; command/instruction
RoleKriya (क्रिया/Predicate)
āśramamin the hermitage
āśramam:
TypeNoun
Rootāśrama (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular; destination/object of dwelling
RoleAdhikarana (अधिकरण/Locative sense as goal)
  • prahṛṣṭakōyaṣṭikakōkilasvanair → prahṛṣṭa-kōyaṣṭika-kōkila-svanaiḥ
  • vināditaṅ taṅ → vināditam tam (anusvāra before dental)
  • suramyamāsādya → suramyam āsādya
  • samāvasa āśramam kept as separate words (imperative + object)

The auspicious mountain (Chaitrakuta) resounds with the note of cheerful lapwings and cuckoos. Intoxicated elephants and deer move about in the enchanting mountain. There you may settle down in a hermitage.ityārṣē śrīmadrāmāyaṇē vālmīkīya ādikāvyē ayōdhyākāṇḍē catuḥpañcāśa ssargaḥ৷৷Thus ends the fiftyfourth sarga in Ayodhyakanda of the holy Ramayana, the first epic composed by sage Valmiki.

Choose a dwelling that supports tapas and non-violence—where nature’s harmony steadies the heart.

Ethical theme
Āśrama-dharma / environmental harmony

Meditation on a sattvic place (deśa-śuddhi) as aid to japa and dhyāna; the ‘śivam’ epithet supports maṅgala-bhāvanā.

Rasa
Adbhuta (wonder), with Shanta (peace)
Mood
Auspicious, verdant, resonant

Themes

  • Dharma
  • Itihasa
  • Ashrama-life
  • Nature
  • Maryada
  • Satya

R
Rāma
C
Citrakūṭa (implied)
K
Koyaṣṭika (lapwings)
K
Kokila (cuckoos)
M
Mṛga (deer)
K
Kuñjara (elephants)
Ā
Āśrama (hermitage)

FAQs

Dharma is the choice of a life conducive to restraint and spiritual practice: settling in an āśrama in an auspicious place supports truthful living (satya), self-control, and non-attachment during exile.

The sage completes his description of Citrakūṭa’s beauty and explicitly instructs Rama to reach it and reside in a hermitage.

Commitment to disciplined living—Rama is guided toward an environment where royal power is set aside and dharmic simplicity is practiced.

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