प्रयाणवर्णनम्
Departure from Ayodhya; Civic Lament and the Chariot’s Urgency
Setting: AyodhyāImmediate departure; mounting the chariot
अथो ज्वलनसङ्काशं चामीकरविभूषितम् ।
तमारुरुहतुस्तूर्णं भ्रातरौ रामलक्ष्मणौ ॥१४॥
atho jvalana-saṅkāśaṃ cāmīkara-vibhūṣitam |
tam āruruhatus tūrṇaṃ bhrātarau rāma-lakṣmaṇau ||14||
फिर राम और लक्ष्मण दोनों भाई जल्दी से उस रथ पर चढ़ गए। वो रथ सोना से सजा था और ऐसा चमक रहा था जैसे आग जल रही हो।
Thereafter, Rama and Lakshmana also boarded that chariot decorated with gold and shining like blazing fire.
Strength in righteousness is amplified by loyal companionship and readiness to act.
Inspires sevā-bhāva (Lakṣmaṇa-like service) and courageous adherence to duty.
The blazing chariot contrasts outer splendor with impending renunciation, pointing to the unreliability of external supports.
Agni imagery recalls inner fire (tapas) as purifier and energizer of dharmic resolve.
Vālmīki Rāmāyaṇa 2.41 (departure procession and public reaction); Rāmacaritamānasa Ayodhyākāṇḍa (Rāma-Lakṣmaṇa setting forth together)
Agni as royal brilliance and as tapas
Ayodhyākāṇḍa: repeated imagery of radiant vehicles and ornaments amid impending forest life
Anuṣṭup
Narrative
Brisk tempo; heightened svara on ’jvalana-saṅkāśa’ and ’tūrṇam’ to convey speed
Prompt, resolute action in the path of duty: once the dharmic course is accepted, Rāma and Lakṣmaṇa proceed without hesitation.
Rāma and Lakṣmaṇa board the chariot as the departure from Ayodhyā for exile begins.
Steadfastness (dhṛti) and readiness to act in accordance with a chosen vow.
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