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Valmiki Ramayana 2.19.40: Ayodhya Kanda, Sarga 19, Shloka 40

एकोनविंशः सर्गः (Sarga 19): Rāma’s Unshaken Acceptance of Exile and Kaikeyī’s Urgency

Setting: Ayodhyā palace (Daśaratha’s inner apartments implied)Places named: Ayodhyā

प्रविश्य वेश्मातिभृशं मुदाऽन्वितं समीक्ष्य तां चार्थविपत्तिमागताम् ।

न चैव रामोऽत्रजगामविक्रियां सुहृज्जनस्यात्मविपत्तिशङ्कया ॥४०॥

Recitation with translationValmiki Ramayana 2.19.40

praviśya veśmātibhṛśaṃ mudā ’nvitam samīkṣya tāṃ cārtha-vipattim āgatām |

na caiva rāmo ’tra jagāma vikriyāṃ suhṛj-janasya ātma-vipatti-śaṅkayā ||40||

राम महल के अंदर गए, वो खुश थे। लेकिन उन्होंने देखा कि कुछ गड़बड़ हो गई है। फिर भी उनका चेहरा नहीं बदला। उनको डर था कि दोस्त परेशान हो जाएंगे।

प्रविश्यhaving entered
प्रविश्य:
TypeVerb
Rootpra-viś (धातु)
Formक्त्वा-प्रत्यय (absolutive/gerund), अव्ययभाव; "having entered"
RolePurvakala-kriya (पूर्वकालक्रिया)
वेश्मpalace, house
वेश्म:
TypeNoun
Rootveśman (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन
RoleKarma (कर्म)
अतिभृशम्very greatly
अतिभृशम्:
TypeIndeclinable
Rootatibhṛśam (अव्यय)
Formपरिमाण/तीव्रता-अव्यय (adverb: very greatly)
RoleKriya-visheshana (क्रियाविशेषण)
मुदाwith joy
मुदा:
TypeNoun
Rootmudā (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/instrumental), एकवचन
RoleKarana (करण)
अन्वितम्filled (with)
अन्वितम्:
TypeAdjective
Rootanu-i (धातु)
Formक्त (past passive participle), नपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; agrees with (रामम्) understood or with (चित्तम्) implied; sense: "endowed/filled"
RoleVisheshana (विशेषण)
समीक्ष्यhaving seen/observed
समीक्ष्य:
TypeVerb
Rootsam-īkṣ (धातु)
Formक्त्वा-प्रत्यय (absolutive/gerund), अव्ययभाव
RolePurvakala-kriya (पूर्वकालक्रिया)
ताम्her/that (state)
ताम्:
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन
RoleKarma (कर्म)
चand
च:
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
RoleSamuccaya (समुच्चय)
अर्थविपत्तिम्misfortune/obstruction of purpose
अर्थविपत्तिम्:
TypeNoun
Rootartha + vipatti (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन; षष्ठी-तत्पुरुष: "अर्थस्य विपत्तिः"
RoleKarma (कर्म)
CompoundTatpurusha
आगताम्having come, arrived
आगताम्:
TypeAdjective
Rootā-gam (धातु)
Formक्त (past passive participle), स्त्रीलिङ्ग, द्वितीया (2nd), एकवचन; agrees with ताम्/विपत्तिम्
RoleVisheshana (विशेषण)
नnot
न:
TypeIndeclinable
Rootna (अव्यय)
Formनिषेध-अव्यय (negation)
RoleNishedha (निषेध)
चand/nor
च:
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय; here with न = "nor"
RoleSamuccaya (समुच्चय)
एवindeed
एव:
TypeIndeclinable
Rooteva (अव्यय)
Formअवधारण-अव्यय (emphasis/indeed)
RoleAvadharana (अवधारण)
रामःRama
रामः:
TypeNoun
Rootrāma (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
RoleKarta (कर्ता)
अत्रhere/there (in this situation)
अत्र:
TypeIndeclinable
Rootatra (अव्यय)
Formदेश-अव्यय (adverb of place)
RoleAdhikarana (अधिकरण)
जगामwent/attained
जगाम:
TypeVerb
Rootgam (धातु)
Formलिट् (Perfect), परस्मैपद, प्रथमपुरुष (3rd), एकवचन
RoleKriya (क्रिया)
विक्रियाम्change, agitation
विक्रियाम्:
TypeNoun
Rootvikriyā (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन
RoleKarma (कर्म)
सुहृज्जनस्यof friends/kinsmen
सुहृज्जनस्य:
TypeNoun
Rootsuhṛt + jana (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/genitive), एकवचन; कर्मधारय: "सुहृद् जनः" (friendly people)
RoleSambandha (सम्बन्ध)
CompoundKarmadharaya
आत्मविपत्तिशङ्कयाfrom fear of their distress
आत्मविपत्तिशङ्कया:
TypeNoun
Rootātman + vipatti + śaṅkā (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/instrumental), एकवचन; षष्ठी-तत्पुरुष: "आत्मविपत्तेः शङ्का" (fear of their distress)
RoleHetu/Karana (हेतु/करण)
CompoundTatpurusha
  • वेश्मातिभृशम् = वेश्म + अतिभृशम्
  • मुदाऽन्वितम् = मुदा + अन्वितम्
  • तां चार्थविपत्तिम् = ताम् + च + अर्थविपत्तिम्
  • विपत्तिमागताम् = विपत्तिम् + आगताम्
  • रामोऽत्र = रामः + अत्र
  • जगामविक्रियाम् = जगाम + विक्रियाम्
  • सुहृज्जनस्य = सुहृत् + जनस्य
  • सुहृज्जनस्यात्मविपत्तिशङ्कया = सुहृज्जनस्य + आत्मविपत्तिशङ्कया

Rama entered the palace which was full of great rejoicing. He did not disclose the obstruction that had come on the way of achieving his objective for fear of causing distress to his friends.ityārṣē śrīmadrāmāyaṇē vālmīkīya ādikāvyē ayōdhyākāṇḍē ēkōnaviṅśassargaḥ৷৷Thus ends the nineteenth sarga of Ayodhyakanda of the holy Ramayana, the first epic composed by sage Valmiki.

A leader absorbs shock inwardly and protects the hearts of companions; steadiness itself becomes dharma in crisis.

Duties in tension

  • Personal emotional truth vs duty to maintain composure for others’ welfare
  • Right to react vs responsibility to prevent panic among allies
Ethical theme
Rāja-dharma / sadācāra
How it resolves
Self-restraint (ātma-nigraha) for loka-hita

Practice of equanimity and compassionate restraint; useful for japa/meditation as a model of inner steadiness.

Rasa
Shanta (peace), with Karuna (compassion)
Mood
Self-mastery, foreboding, protective

Themes

  • Dharma
  • Ethics
  • Maryada
  • Itihasa

R
Rāma
P
palace (veśma)
F
friends/well-wishers (suhṛt-jana)

FAQs

Dharma is compassionate restraint: Rāma governs his expressions to protect others from anxiety and sorrow.

Amid celebration in the palace, Rāma recognizes a sudden reversal threatening his aims, but conceals it to avoid alarming loved ones.

Emotional mastery and consideration for others (saṃyama and dayā): he refuses to let inner turmoil harm his community.

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