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Valmiki Ramayana 2.14.46: Ayodhya Kanda, Sarga 14, Shloka 46

सत्यपाशः · Kaikeyi’s Demand and the Noose of the King’s Promise

Narrated by ValmikiSetting: Daśaratha’s residence/inner apartments in Ayodhyā palacePlaces named: AyodhyāEntry into the king’s residence at the appointed hour

तत स्सूतो यथाकालं पार्थिवस्य निवेशने ॥४६॥

सुमन्त्रः प्राञ्जलिर्भूत्वा तुष्टाव जगतीपतिम् ।

Recitation with translationValmiki Ramayana 2.14.46

tataḥ sūto yathākālaṃ pārthivasya niveśane ||46||

sumantraḥ prāñjalir bhūtvā tuṣṭāva jagatīpatim |

फिर सुमंत्र, जो रथ चलाता था, सही टाइम पे राजा के घर गया। हाथ जोड़ के खड़ा हो गया। और राजा की तारीफ करने लगा, जो पूरी दुनिया का मालिक था।

tataḥthen
tataḥ:
TypeIndeclinable
Roottatas (प्रातिपदिक)
Formअव्यय (Avyaya), निपात/क्रियाविशेषण (particle/adverb): ‘then/thereafter’
RoleKāla-adhikaraṇa (कालाधिकरण)
sūtaḥthe charioteer
sūtaḥ:
TypeNoun
Rootsūta (प्रातिपदिक)
Formपुंलिङ्ग (masc), प्रथमा-विभक्ति (1st/Nominative), एकवचन (singular)
RoleKarta (कर्ता)
yathā-kālamat the proper time
yathā-kālam:
TypeIndeclinable
Rootyathā (अव्यय) + kāla (प्रातिपदिक)
Formअव्ययीभाव-समास (Avyayībhāva), क्रियाविशेषण (adverbial): ‘at the proper time’
RoleKāla-adhikaraṇa (कालाधिकरण)
CompoundAvyayibhava
pārthivasyaof the king
pārthivasya:
TypeNoun
Rootpārthiva (प्रातिपदिक)
Formपुंलिङ्ग (masc), षष्ठी-विभक्ति (6th/Genitive), एकवचन (singular)
RoleṢaṣṭhī-sambandha (षष्ठी-सम्बन्ध)
niveśanein the residence/apartment
niveśane:
TypeNoun
Rootniveśana (प्रातिपदिक)
Formनपुंसकलिङ्ग (neut), सप्तमी-विभक्ति (7th/Locative), एकवचन (singular)
RoleAdhikaraṇa (अधिकरण)
sumantraḥSumantra
sumantraḥ:
TypeNoun
Rootsumantra (प्रातिपदिक)
Formपुंलिङ्ग (masc), प्रथमा-विभक्ति (1st/Nominative), एकवचन (singular)
RoleKarta (कर्ता)
prāñjaliḥwith folded hands
prāñjaliḥ:
TypeAdjective
Rootprāñjali (प्रातिपदिक)
Formपुंलिङ्ग (masc), प्रथमा-विभक्ति (1st/Nominative), एकवचन (singular); विशेषण (adjective) used predicatively: ‘with folded hands’
RoleKarta (कर्ता)
bhūtvāhaving become
bhūtvā:
TypeVerb
Rootbhū (धातु)
Formक्त्वान्त (absolutive/gerund), ‘having become’
RoleKriyāviśeṣaṇa (क्रियाविशेषण)
tuṣṭāvapraised
tuṣṭāva:
TypeVerb
Rootstu (धातु)
Formलिट्-लकार (Perfect), परस्मैपद (Parasmaipada), प्रथम-पुरुष (3rd person), एकवचन (singular)
RoleKriyā (क्रिया)
jagatī-patimlord of the earth
jagatī-patim:
TypeNoun
Rootjagatī (प्रातिपदिक) + pati (प्रातिपदिक)
Formतत्पुरुष-समास (Tatpuruṣa, षष्ठी-तत्पुरुष: ‘of the earth’ + ‘lord’); पुंलिङ्ग (masc), द्वितीया-विभक्ति (2nd/Accusative), एकवचन (singular)
RoleKarma (कर्म)
CompoundTatpurusha
  • tata ssūtaḥ → tataḥ sūtaḥ (visarga sandhi)
  • yathākālaṅ → yathākālam (anusvāra for final m)
  • prāñjalirbhūtvā → prāñjaliḥ bhūtvā
  • jagatīpatim is a ṣaṣṭhī-tatpuruṣa compound

Thereafter the charioteer Sumantra entered the inner apartment of the king, and with folded hands began singing the praise of the lord of the earth appropriate to the hour.

Timeliness, humility, and reverent address are core virtues of service within rāja-dharma.

Ethical theme
Ācāra (right conduct)
How it resolves
Protocol observed

Añjali-bhāva as a transferable devotional posture; trains humility and attention in daily duties.

Form of praise
Stuti (a hymn of praise)
Rasa
Shanta (peace)
Mood
Formal, measured, ceremonial

Themes

  • Dharma
  • Maryada
  • Itihasa
  • Ethics
  • Time-discipline
  • Reverence

S
Sumantra
D
Daśaratha

FAQs

Dharma is disciplined service: acting at the right time (yathākāla) with humility and reverence toward rightful authority.

Sumantra enters Daśaratha’s quarters at dawn and begins formal praise with folded hands.

Humility (praṇāma/añjali) and punctuality in duty.

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