पादुकाप्रदानं भरतस्य निवृत्तिश्च
The Sandals Bestowed; Bharata’s Return Toward Ayodhya
Setting: Along the flank of CitrakūṭaPlaces named: CitrakūṭaSkirting the mountain en route to hermitage region
पश्यन्धातुसहस्राणि रम्याणि विविधानि च ।
प्रययौ तस्य पार्श्वेन ससैन्यो भरतस्तदा ॥४॥
paśyan dhātusahasrāṇi ramyāṇi vividhāni ca |
prayayau tasya pārśvena sasainyo bharatas tadā ||4||
भरत देख रहा था, पहाड़ में कितने सारे पत्थर हैं। अलग-अलग रंग के, अलग-अलग तरह के। सब सुंदर लग रहे थे। फिर वो अपनी सेना के साथ पहाड़ के पास से आगे बढ़ गया।
Beholding a thousand varieties of beautiful minerals, Bharata with his army proceeded alongside the mountain.
Beauty and abundance on the path need not distract; the wise observe without losing purpose.
Practice of mindful seeing—letting wonder arise without attachment.
Multiplicity of forms (nāma-rūpa) perceived by the mind while the underlying reality remains one—suggesting discernment amid sensory beauty.
Chāndogya’s ‘sarvaṃ khalvidaṃ brahma’ mood: the manifold seen as pervaded by a deeper unity (implicit, not explicit).
Vālmīki Rāmāyaṇa 2.113.20-22 (Citrakūṭa approach sequence)
Purāṇic descriptions of sacred mountains rich in dhātus and herbs (general motif)
Ayodhyākāṇḍa descriptions of Citrakūṭa’s beauty around Rāma’s residence (nearby sargas)
Anuṣṭup (śloka)
Narrative
Slightly elevated on pśyan and dhātu-sahasrāṇi to convey wonder
Dharma here is steadiness of purpose: even amid the allure of prosperity (rich minerals), Bharata continues onward, prioritizing duty over distraction.
The army marches by the mountain; Bharata observes the landscape’s natural wealth while continuing the journey.
Single-minded duty (kartavya-niṣṭhā)—moving forward without being diverted by material fascination.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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