Previous Verse
Next Verse

Shloka 14

Installation of a Copper Icon (Tāmrārcā) and Its Consecratory Worship

अर्चनालङ्कृतं कृत्वा गन्धधूपादिभिः प्रभुम् ॥ सम्पूज्य विधिवन्मां तु नैवेद्यं परिकल्पयेत् ॥

arcanālaṅkṛtaṁ kṛtvā gandha-dhūpādibhiḥ prabhum || sampūjya vidhivan māṁ tu naivedyaṁ parikalpayet ||

गंध, धूप आदि से प्रभु को अर्चना द्वारा अलंकृत करके, और विधिपूर्वक मेरी सम्यक् पूजा करके, फिर नैवेद्य की व्यवस्था करे।

arcanā-alaṅkṛtamadorned with worship (decorations)
arcanā-alaṅkṛtam:
Karma (कर्म)
TypeAdjective
Rootarcanā (प्रातिपदिक) + alaṅkṛta (प्रातिपदिक/कृदन्त)
FormNeuter, Accusative (2nd/द्वितीया), Singular; तत्पुरुषः (अर्चनया अलङ्कृतम् = adorned by worship/with worship-ornaments)
kṛtvāhaving done
kṛtvā:
Kriya (क्रिया)
TypeVerb
Root√kṛ (कृ धातु)
FormAbsolutive/Gerund (क्त्वा), having done
gandha-dhūpa-ādibhiḥwith perfumes, incense, etc.
gandha-dhūpa-ādibhiḥ:
Karana (करण)
TypeNoun
Rootgandha (प्रातिपदिक) + dhūpa (प्रातिपदिक) + ādi (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural; समाहार/तत्पुरुष-प्रयोग (गन्धधूपादयः)
prabhumthe Lord
prabhum:
Karma (कर्म)
TypeNoun
Rootprabhu (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular
sampūjyahaving worshipped fully
sampūjya:
Kriya (क्रिया)
TypeVerb
Root√pūj (पूज् धातु) + sam- (उपसर्ग)
FormAbsolutive/Gerund (ल्यप्/य-प्रत्यय), having duly worshipped
vidhivatproperly, as prescribed
vidhivat:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootvidhi (प्रातिपदिक) + vat (वत्)
FormAdverb (रीति-वाचक अव्यय): 'according to rule'
māmme
mām:
Karma (कर्म)
TypeNoun
Rootasmad (अस्मद् सर्वनाम)
FormAccusative (2nd/द्वितीया), Singular
tuand/indeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (निपात), contrast/emphasis
naivedyamfood offering
naivedyam:
Karma (कर्म)
TypeNoun
Rootnaivedya (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular
parikalpayetshould arrange/prepare
parikalpayet:
Kriya (क्रिया)
TypeVerb
Rootpari-√kḷp (कॢप् धातु)
FormVidhi-liṅ (Optative/विधिलिङ्), 3rd Person (प्रथम), Singular; Parasmaipada

Varāha (default, instructional frame)

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":true,"topic":"dana","instruction_summary":"After worshipfully adorning the Lord with gandha, dhūpa, etc., and honoring him according to vidhi, one should then prepare naivedya in proper order.","karmic_consequence":"Correct upacāra-krama culminates in accepted offering and devotional merit; disorder/omission is a ritual fault reducing efficacy."}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Arcana mirrors yajña: gandha and dhūpa function as subtle offerings (sūkṣma-upacāra) preceding the gross offering (naivedya), indicating ascent from sensory purification to full surrender.","yajna_varaha_imagery":"Dhūpa as 'havis' in fragrant form; naivedya as the consummating oblation; the 'Prabhu' receives offerings as the inner fire (antar-agni) of worship.","vedantic_connection":"The Lord as antaryāmin accepts offerings when actions are aligned with dharma (vidhi) and intention is purified—external sequence supports inner saṃskāra."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"bhakti-sādhana (sequential offering as inner refinement)","core_concept":"Worship is a graduated offering—purify the space and senses (gandha/dhūpa) before presenting sustenance (naivedya).","practical_application":"In daily pūjā, keep a consistent order: cleanse, scent, incense, then food; let each step be mindful rather than rushed."}

Subject Matter: ["Ritual Practice","Offerings (Dhūpa, Naivedya)","Liturgical Order"]

Primary Rasa: bhakti

Secondary Rasa: śānta

Type: shrine/altar setting

Related Themes: Varāha Purāṇa 184.14 (nyāya arcana); Varāha Purāṇa 184.16 (naivedya then śānti)

Visual Art Cues: {"scene_description":"The altar is alive with fragrance and smoke: incense curls upward, the deity is garlanded and anointed; attendants bring a covered dish of naivedya to be set before the Lord.","item_prompts":["incense burner with rising smoke","sandal paste/gandha container","garlands","naivedya plate with cover","bell and lamp nearby"],"kerala_mural_prompt":"Kerala mural: stylized incense smoke patterns, rich reds/greens; deity adorned; naivedya vessel prominent in foreground.","tanjore_prompt":"Tanjore: gold-leaf shimmer on ornaments; thick incense smoke rendered decoratively; naivedya plate with jeweled rim.","mysore_prompt":"Mysore: fine detailing of incense burner and paste box; soft lighting; devotional quiet.","pahari_prompt":"Pahari: delicate smoke wisps, intimate shrine; patterned cloth under offerings; gentle narrative focus on the act of presenting food."}

Audio Atmosphere: {"recitation_mood":"devotional, ceremonial","suggested_raga":"Bhairav","pace":"medium","voice_tone":"warm, precise"}

C
Classical Literature
P
Purāṇa
V
Vaiṣṇavism
R
Ritual Studies

FAQs

It records a recognizable pūjā progression (gandha–dhūpa → naivedya) useful for tracing the evolution of offering-lists and ritual taxonomies.

No geographic location is identified.

It underscores methodical worship—completing preliminary honors before presenting the principal offering.