Markandeya Purana — Adhyaya 25, Shloka 17
Adhyaya 25 — Madālāsā’s Return, Royal Succession, and the First Teaching to Vikrānta
हासोऽस्थिसन्दर्शनमक्षियुग्ममत्युज्ज्वलं तर्जनमङ्गनायाः ।
कुचादिपीनं पिशितं घनं तत्स्थानं रतेः किं नरकं न योषित् ॥
hāso 'sthisandarśanam akṣiyugmam atyujjvalaṃ tarjanam aṅganāyāḥ / kucādipīnaṃ piśitaṃ ghanaṃ tat sthānaṃ rateḥ kiṃ narakaṃ na yoṣit
स्त्री का हास्य केवल अस्थियों का प्रदर्शन है; उसके अत्यन्त उज्ज्वल नेत्र-युगल तीक्ष्ण अंकुश के समान है। स्तनों आदि से भरा हुआ वह घना मांस-पिण्ड—यदि वही राग का आसन है, तो क्या स्त्री (भी) नरक नहीं है?
{ "primaryRasa": "shanta", "secondaryRasa": "bibhatsa", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
The verse is an anti-lust contemplation: it shocks the mind out of fascination by recalling bodily materiality, urging mastery over kāma rather than objectifying fixation.
Didactic/renunciatory counsel inside narrative; not pancalakṣaṇa cosmology or genealogy.
It functions as a meditative reversal (viparīta-bhāvanā): the attractive is re-seen as perishable constituents, weakening rāga and supporting inner freedom.