Adhyaya 10 — Jaimini’s Questions on Birth, Death, Karma, and the Embodied Journey
प्रगीतगन्धर्वगणाः प्रवृत्ताप्सरसाङ्गणाः ।
हारनूपुरमाधुर्य-शोभितान्युत्तमानि च ॥
pragītagandharvagaṇāḥ pravṛttāpsarasāṅgaṇāḥ | hāranūpuramādhurya-śobhitāny uttamāni ca ||
वहाँ गन्धर्वों के समूह गान करते हैं और अप्सराओं की टोलियाँ क्रीड़ा में रत रहती हैं—मालाओं और नूपुरों की मधुर शोभा से विभूषित उत्तम आनंद।
{ "primaryRasa": "adbhuta", "secondaryRasa": "shringara", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Puṇya is portrayed as yielding refined enjoyment (bhoga) in higher realms—an incentive model that links ethical action to elevated experiential states.
Connected to cosmological description (loka-varṇana) and karmaphala instruction; it is supportive material rather than core sarga/pratisarga narrative.
Gandharvas and Apsarases can be read as personifications of subtle sense-delights (sound, beauty) that accompany meritorious karma—pleasure as a ‘resultant vibration’ of prior conduct.