पीतवासा-कल्पः, माहेश्वरी-दर्शनम्, रौद्री-गायत्री, महायोगेन अपुनर्भवः
चतुष्पदां चतुर्वक्त्रां चतुर्हस्तां चतुःस्तनीम् चतुर्नेत्रां चतुःशृङ्गीं चतुर्दंष्ट्रां चतुर्मुखीम्
catuṣpadāṃ caturvaktrāṃ caturhastāṃ catuḥstanīm caturnetrāṃ catuḥśṛṅgīṃ caturdaṃṣṭrāṃ caturmukhīm
उसने अद्भुत रूप देखा—चार पगों वाली, चार मुखों वाली, चार भुजाओं और चार स्तनों वाली; चार नेत्रों, चार शृंगों और चार दंष्ट्राओं से युक्त।
Suta Goswami (narrating the Purva-Bhaga account to the sages of Naimisharanya)
It establishes that the Supreme (Pati) can be approached through manifold, symbol-laden manifestations; Linga-worship trains the devotee to recognize the One Lord behind diverse forms and attributes.
By listing extraordinary, multi-aspected features, the verse points to Shiva’s śakti-driven sovereignty: He is not confined to a single finite shape, but reveals forms that signify cosmic functions while remaining transcendent.
A contemplative upāsanā (dhyāna) approach is implied—meditating on Shiva’s symbolic attributes to loosen pāśa (bondage) and reorient the paśu (soul) toward Pati, aligning with Pāśupata-oriented devotion.