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Agni Purana — Mantra-shastra, Shloka 21

The Root-Mantra of Tvaritā

Tvaritā-mūla-mantra

सौम्यादि मध्यमान्तन्तु गुरुत्वं जायते वटे पूर्वादि मध्यमान्तन्तु लघुत्वं कुरुते क्षणात्

saumyādi madhyamāntantu gurutvaṃ jāyate vaṭe pūrvādi madhyamāntantu laghutvaṃ kurute kṣaṇāt

‘सौम्य-’ आदि गण में मध्य और अन्त का अक्षर छन्द में गुरु होता है; पर ‘पूर्व-’ आदि गण में मध्य और अन्त का अक्षर तत्काल लघु हो जाता है।

सौम्य-आदिbeginning with ‘saumya’ etc.
सौम्य-आदि:
विशेषण (Adjectival qualifier/विशेषण)
TypeAdjective
Rootसौम्य + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; समासः—तत्पुरुषः (आदि-शब्देन सह)
मध्यम-अन्तम्having a middle ending (middle-final)
मध्यम-अन्तम्:
विशेषण (Adjectival qualifier/विशेषण)
TypeAdjective
Rootमध्यम + अन्त (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन; समासः—तत्पुरुषः (मध्यमः अन्तः यस्य)
तुbut/indeed
तु:
सम्बन्धसूचक/वाक्यसम्बन्ध (Discourse particle/निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात (particle)
गुरुत्वम्heaviness
गुरुत्वम्:
कर्ता (Subject/कर्ता)
TypeNoun
Rootगुरुत्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन
जायतेarises/is produced
जायते:
क्रिया (Action/क्रिया)
TypeVerb
Rootजन् (धातु)
Formलट् (Present/लट्), प्रथमपुरुष, एकवचन; आत्मनेपद
वटेin/with the banyan (tree)
वटे:
अधिकरण (Location/अधिकरण)
TypeNoun
Rootवट (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन
पूर्व-आदिbeginning with ‘pūrva’ etc.
पूर्व-आदि:
विशेषण (Adjectival qualifier/विशेषण)
TypeAdjective
Rootपूर्व + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन; समासः—तत्पुरुषः
मध्यम-अन्तम्having a middle ending
मध्यम-अन्तम्:
विशेषण (Adjectival qualifier/विशेषण)
TypeAdjective
Rootमध्यम + अन्त (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन; समासः—तत्पुरुषः
तुbut/indeed
तु:
सम्बन्धसूचक/वाक्यसम्बन्ध (Discourse particle/निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात
लघुत्वम्lightness
लघुत्वम्:
कर्म (Object/कर्म)
TypeNoun
Rootलघुत्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन
कुरुतेmakes/produces
कुरुते:
क्रिया (Action/क्रिया)
TypeVerb
Rootकृ (धातु)
Formलट् (Present), प्रथमपुरुष, एकवचन; आत्मनेपद
क्षणात्in an instant/from a moment
क्षणात्:
अपादान (Source/अवधि; Ablative/अपादान)
TypeNoun
Rootक्षण (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/पञ्चमी), एकवचन

Lord Agni (teaching chandas/prosody to the inquirer, traditionally Vasiṣṭha)

Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Vyakarana","practical_application":"Chandas-knowledge for composing/reciting verses correctly by applying laghu–guru determination rules to specific gaṇa/word-groups in metrical scanning.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Laghu–Guru Niyama for ‘Saumya-’ and ‘Pūrva-’ Groups","lookup_keywords":["chandas","laghu guru","saumya-gaṇa","pūrva-gaṇa","mātrā-vicāra"],"quick_summary":"Defines a prosodic rule: in the ‘saumya-’ class the middle and final syllables are treated as guru, while in the ‘pūrva-’ class the middle and final syllables are treated as laghu, aiding metrical parsing."}

Concept: Śāstra-niyama: knowledge is stabilized by concise operational rules (lakṣaṇa) for correct application.

Application: Use as a mnemonic rule while scanning meters in recitation, composition, and teaching of chandas.

Khanda Section: Chandas & Prosody (Sanskrit Metrics / Pingala-style Laghu-Guru rules)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A traditional Sanskrit prosody lesson: a teacher indicates syllable weights (laghu/guru) on a palm-leaf manuscript, marking the middle and final syllables for two named groups.","kerala_mural_prompt":"Kerala mural style, gurukula scene, acharya with palm-leaf manuscript, students seated, red-ochre background, stylized script marks showing laghu and guru, temple-school ambience","tanjore_prompt":"Tanjore painting, ornate frame, acharya teaching chandas, gold highlights on manuscript edges, students with stylus, symbolic laghu-guru marks as decorative motifs","mysore_prompt":"Mysore painting, clean instructional composition, palm-leaf folios with clear laghu/guru notation, calm classroom, fine linework and muted colors","mughal_miniature_prompt":"Mughal miniature, courtly scholar demonstrating prosody, detailed manuscript illumination, precise calligraphy, students observing, architectural interior"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: मध्यमान्तन्तु = मध्यम-अन्तम् + तु; पूर्वादि = पूर्व-आदि; सौम्यादि = सौम्य-आदि; क्षणात् as ablative singular.

Related Themes: Agni Purana 311 (Chandas/Prosody section)

A
Agni Purana
C
Chandas
G
Guru
L
Laghu

FAQs

It gives a technical chandas rule: in specified word-classes (“saumyādi” vs “pūrvādi”), the middle and final syllables are to be scanned as guru (heavy) or laghu (light) for metrical counting.

Beyond theology and ritual, the Agni Purana also teaches literary sciences; this verse is part of its prosody toolkit, showing how the text functions as a compact handbook of Sanskrit metrics alongside other disciplines.

Correct metrical recitation preserves the integrity of śloka transmission; maintaining accurate chandas is traditionally held to support proper chanting, learning, and the merit of preserving sacred knowledge.