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Agni Purana — Mantra-shastra, Shloka 12

The Root-Mantra of Tvaritā

Tvaritā-mūla-mantra

कुड्ये फलकके वाथ शिलापट्टे हरिद्रया मुखस्तम्भं गतिस्तम्भं सैन्यस्तम्भन्तु जायते

kuḍye phalakake vātha śilāpaṭṭe haridrayā mukhastambhaṃ gatistambhaṃ sainyastambhantu jāyate

दीवार, लकड़ी के फलक अथवा शिला-पट्ट पर हल्दी से लेपन/चिह्नन करने पर ‘मुख-स्तम्भ’, ‘गति-स्तम्भ’ और ‘सैन्य-स्तम्भ’—अर्थात वाणी/मुख का अवरोध, गति का अवरोध और सेना का जड़त्व—उत्पन्न होते हैं।

kuḍyeon a wall
kuḍye:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootkuḍya (प्रातिपदिक)
FormMasculine, Locative (7th/सप्तमी), Singular
phalakakeon a board/tablet
phalakake:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootphalaka (प्रातिपदिक)
FormNeuter, Locative (7th/सप्तमी), Singular
or
:
Sambandha/Discourse particle (निपात)
TypeIndeclinable
Rootvā (अव्यय)
FormDisjunctive particle (विकल्पार्थक निपात)
athathen/also
atha:
Sambandha/Discourse particle (निपात)
TypeIndeclinable
Rootatha (अव्यय)
FormParticle/adverb (निपात) indicating sequence/alternative
śilā-paṭṭeon a stone slab
śilā-paṭṭe:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootśilā (प्रातिपदिक) + paṭṭa (प्रातिपदिक)
FormMasculine, Locative (7th/सप्तमी), Singular; समासः—तत्पुरुषः (शिलायाः पट्टः)
haridrayāwith turmeric
haridrayā:
Karaṇa (करण)
TypeNoun
Rootharidrā (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Singular
mukha-stambhamthe ‘mouth-stambha’ (a blocking/immobilizing charm)
mukha-stambham:
Karma (कर्म)
TypeNoun
Rootmukha (प्रातिपदिक) + stambha (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular; समासः—तत्पुरुषः (मुखस्य स्तम्भः)
gati-stambhamthe ‘movement-stambha’
gati-stambham:
Karma (कर्म)
TypeNoun
Rootgati (प्रातिपदिक) + stambha (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular; समासः—तत्पुरुषः (गतेः स्तम्भः)
sainya-stambhamthe ‘army-stambha’
sainya-stambham:
Karma (कर्म)
TypeNoun
Rootsainya (प्रातिपदिक) + stambha (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular; समासः—तत्पुरुषः (सैन्यस्य स्तम्भः)
tuindeed
tu:
Sambandha/Discourse particle (निपात)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (निपात)
jāyatearises/comes to be
jāyate:
Kriyā (क्रिया)
TypeVerb
Rootjan (धातु)
FormLaṭ (लट्, present), Ātmanepada, 3rd Person (प्रथमपुरुष), Singular (एकवचन)

Lord Agni (in instruction to sage Vasiṣṭha, typical Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Dharmashastra","practical_application":"Reading/avoiding inauspicious turmeric markings on building surfaces; diagnosing omen-like ‘stambha’ (obstruction) effects in a house/fort/structure.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Haridrā-lepa nimitta: mukha-stambha, gati-stambha, sainya-stambha","lookup_keywords":["haridrā","kudya","śilāpaṭṭa","stambha-doṣa","vāstu nimitta"],"quick_summary":"Turmeric marking on wall/panel/stone is treated here as an inauspicious nimitta producing three kinds of ‘stambha’—speech/face obstruction, movement obstruction, and troop immobilization—hence to be avoided or countered."}

Concept: Nimitta-jñāna: external marks on built space are read as indicators of functional obstruction and misfortune.

Application: In construction/maintenance, treat anomalous stains/markings as prompts for inspection, cleansing rites, and corrective measures before occupation or military use.

Khanda Section: Vāstu-Śāstra (Architectural omens, plastering, and auspicious markings)

Primary Rasa: bhayanaka

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A wall, wooden panel, and stone slab each bear turmeric smears; three symbolic effects are shown—mouth bound (mukha-stambha), feet halted (gati-stambha), and soldiers frozen in place (sainya-stambha).","kerala_mural_prompt":"Kerala mural style, three-panel narrative: turmeric mark on wall/panel/stone, stylized figures showing speech blocked, movement halted, and troops immobilized, bold outlines and earthy palette","tanjore_prompt":"Tanjore style, gold accents on architectural surfaces, turmeric-yellow marks prominent, symbolic vignettes of halted speech and immobilized soldiers, ornate frame","mysore_prompt":"Mysore painting, instructional diagram-like layout labeling kudya/phalaka/śilāpaṭṭa and the three stambhas, fine lines and soft shading","mughal_miniature_prompt":"Mughal miniature, courtyard wall with yellow smear, attendants gesturing in concern, a small troop scene in background halted mid-march, detailed textures of wood and stone"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":null,"pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: vātha → vā + atha; sainyastambhantu → sainya-stambham + tu

Related Themes: Agni Purana 311 (vāstu-śāstra omens and markings section)

A
Agni
H
Haridrā (turmeric)
V
Vāstu-śāstra

FAQs

It gives a Vāstu-śāstra diagnostic: turmeric markings applied on walls/boards/stone slabs are associated with specific ‘stambha’ effects—blocking speech/face (mukha-stambha), movement (gati-stambha), and military action (sainya-stambha).

Beyond myth, the Agni Purāṇa catalogs applied sciences like Vāstu—linking materials (turmeric), surfaces (wall/wood/stone), and predicted outcomes (omens/effects), reflecting its practical, multi-disciplinary scope.

It functions as a caution about inauspicious architectural/ritual signs: improper or ominous markings are believed to manifest as ‘obstructions’ (stambha), affecting personal function (speech/mobility) and collective welfare (security/army).