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Agni Purana — Agneya-vidya, Shloka 22

Chapter 21 — सामान्यपूजाकथनम्

Teaching on General Worship

सावाराध्योपरं दुःखमिति ख, चिह्नितपुस्तकपाठः अग्निसाश्रयवायुगानिति ख, चिह्नितपुस्तकपाठः अर्काय शिरसे तद्वदग्निजायायुतञ्च तदिति ङ,चिह्नितपुस्तकपाठः शक्तिश् च निर्गता इति ख, चिह्नितपुस्तकपाठः चक्रं गदां क्रमाच्छङ्खं मुषलं खड्गशार्ङ्गकम् पाशाङ्कुशौ च श्रीवत्सं कौस्तुभं वनमालया

sāvārādhyoparaṃ duḥkhamiti kha, cihnitapustakapāṭhaḥ agnisāśrayavāyugāniti kha, cihnitapustakapāṭhaḥ arkāya śirase tadvadagnijāyāyutañca taditi ṅa,cihnitapustakapāṭhaḥ śaktiś ca nirgatā iti kha, cihnitapustakapāṭhaḥ cakraṃ gadāṃ kramācchaṅkhaṃ muṣalaṃ khaḍgaśārṅgakam pāśāṅkuśau ca śrīvatsaṃ kaustubhaṃ vanamālayā

कुछ पाण्डुलिपियों में ‘सावाराध्य…’, ‘अग्निसाश्रय…’, ‘अर्क के लिए शिरः… वैसे ही अग्निजाया के लिए…’ तथा ‘शक्ति निकल पड़ी…’ ऐसे पाठभेद मिलते हैं। प्रचलित पाठ में देवता के हाथों में चक्र, गदा, क्रम से शंख; मूसल, खड्ग और शार्ङ्ग (धनुष); साथ ही पाश और अंकुश; तथा श्रीवत्स-चिह्न, कौस्तुभ-मणि और वनमाला का वर्णन है।

चक्रम्discus
चक्रम्:
Karma (कर्म/Object)
TypeNoun
Rootचक्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
गदाम्mace
गदाम्:
Karma (कर्म)
TypeNoun
Rootगदा (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
क्रमात्in sequence
क्रमात्:
Kriya-vishesana (क्रिया-विशेषण/Adverbial)
TypeIndeclinable
Rootक्रम (प्रातिपदिक)
Formअव्यय-प्रयोगः (adverbial), तसिल्-अर्थे ‘क्रमात्’ = ‘in order/gradually’
शङ्खम्conch
शङ्खम्:
Karma (कर्म)
TypeNoun
Rootशङ्ख (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
मुषलम्pestle/club
मुषलम्:
Karma (कर्म)
TypeNoun
Rootमुषल (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
खड्गशार्ङ्गकम्sword and Śārṅga (bow)
खड्गशार्ङ्गकम्:
Karma (कर्म)
TypeNoun
Rootखड्ग + शार्ङ्गक (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; द्वन्द्वः—खड्गं च शार्ङ्गकं च (two items treated as a set)
पाशाङ्कुशौnoose and goad
पाशाङ्कुशौ:
Karma (कर्म)
TypeNoun
Rootपाश + अङ्कुश (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), द्विवचन; द्वन्द्वः—पाशः च अङ्कुशः च
and
:
Samuccaya (समुच्चय/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-बोधक अव्यय (conjunction)
श्रीवत्सम्Śrīvatsa mark
श्रीवत्सम्:
Karma (कर्म)
TypeNoun
Rootश्रीवत्स (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
कौस्तुभम्Kaustubha jewel
कौस्तुभम्:
Karma (कर्म)
TypeNoun
Rootकौस्तुभ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
वनमालयाwith the forest-garland
वनमालया:
Karana (करण/Instrument; ‘with a garland’)
TypeNoun
Rootवनमाला (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; समासः—वनस्य माला (षष्ठी-तत्पुरुष)

Lord Agni (narrating to sage Vasiṣṭha in the Agni Purana’s instructional dialogue style)

Vidya Category: {"primary_vidya":"Shilpa","secondary_vidya":"Mantra","practical_application":"Dhyāna for pūjā: visualize Viṣṇu with specified āyudha and lakṣaṇa; supports correct icon-making, yantra/mandala placement, and focused worship.","sutra_style":false}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Viṣṇu’s Āyudha and Lakṣaṇa: Cakra–Gadā–Śaṅkha etc., with Śrīvatsa and Kaustubha","lookup_keywords":["Viṣṇu iconography","cakra gadā śaṅkha","śārṅga bow","śrīvatsa","kaustubha"],"quick_summary":"The verse lists Viṣṇu’s emblems—discus, mace, conch, pestle, sword, bow Śārṅga, noose, goad—plus Śrīvatsa, Kaustubha, and forest garland, serving as a dhyāna/iconographic checklist."}

Weapon Type: Discus (cakra), mace (gadā), conch (śaṅkha as war-signal), pestle (muṣala), sword (khaḍga), bow (śārṅga), noose (pāśa), goad (aṅkuśa)

Concept: Dhyāna-lakṣaṇa: precise visualization of deity attributes stabilizes mind and ritual correctness.

Application: Use as a mental/ritual checklist before arcana; for sculptors/painters, ensures canonical āyudha and chest-marks are not omitted.

Khanda Section: Puja-vidhi / Devata-dhyana (Iconography of Vishnu and divine emblems)

Primary Rasa: adbhuta

Secondary Rasa: vira

Visual Art Cues: {"scene_description":"A radiant Viṣṇu form displaying multiple weapons and auspicious marks—Śrīvatsa on the chest, Kaustubha jewel, and vanamālā—presented as a dhyāna image for worship.","kerala_mural_prompt":"Kerala mural, frontal Viṣṇu with multiple arms holding cakra, gadā, śaṅkha, muṣala, khaḍga, Śārṅga, pāśa, aṅkuśa; clear Śrīvatsa and Kaustubha on chest; vanamālā; bold outlines and saturated greens/blues","tanjore_prompt":"Tanjore painting, Viṣṇu enthroned with gold-leaf halo, embossed jewelry highlighting Kaustubha, Śrīvatsa mark on chest, multiple arms with weapons, rich textile patterns, symmetrical devotional composition","mysore_prompt":"Mysore painting, clean iconographic plate style: labeled weapons around Viṣṇu, emphasis on correct placement of Śrīvatsa and Kaustubha, soft pastel palette, instructional clarity","mughal_miniature_prompt":"Mughal miniature, courtly devotional scene with a painter depicting Viṣṇu’s emblems on a folio, Viṣṇu appearing in vision with detailed weapons, fine shading, ornate borders"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"devotional"}

Sandhi Resolution Notes: क्रमाच्छङ्खम् → क्रमात् + शङ्खम् (त् + श → च्छ); verse contains multiple manuscript notes (cihnitapustakapāṭhaḥ etc.) omitted from pada list as editorial apparatus.

Related Themes: Agni Purana: Shilpa/Pratimā-lakṣaṇa chapters (Viṣṇu-mūrti attributes); Agni Purana: Puja-vidhi dhyāna and āvaraṇa-devatā portions

V
Vishnu
S
Sudarshana Chakra
K
Kaumodaki (Gada)
S
Shankha
S
Sharnga (Bow)
S
Shrivatsa
K
Kaustubha
V
Vanamala (Vaijayanti)

FAQs

It gives a dhyāna/iconographic checklist for visualizing Vishnu in worship: the sequence of weapons (cakra, gadā, śaṅkha, etc.) and auspicious identifiers (Śrīvatsa, Kaustubha, Vanamālā) used in pūjā and meditation.

Alongside theology, it preserves practical temple-and-ritual iconography—standardized attributes and insignia—plus notes on manuscript variants, reflecting the text’s compendious, reference-like character.

Correctly meditating on the deity with recognized emblems is treated as a means to steadier concentration (dhyāna-siddhi) and devotional merit (puṇya) by aligning the worshipper’s visualization with orthodox forms.