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Varaha Purana 196.5: Adhyaya 196, Shloka 5

Description of the City of Dharmarāja

Yama

कैलासशिखराकारैर्भवनैरुपशोभितम् ॥ तत्र वै विमला नद्यस्तोयपूर्णाः सुशोभनाः ॥

Sanskrit recitationVaraha Purana 196.5

kailāsaśikharākārair bhavanair upaśobhitam || tatra vai vimalā nadyas toyapūrṇāḥ suśobhanāḥ

કૈલાસશિખરાકાર ભવનો વડે તે શોભિત છે; ત્યાં નિર્મળ નદીઓ જળથી પરિપૂર્ણ અને અતિ શોભાયમાન છે.

kailāsa-śikhara-ākāraiḥwith forms like the peaks of Kailāsa
kailāsa-śikhara-ākāraiḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootkailāsa (प्रातिपदिक) + śikhara (प्रातिपदिक) + ākāra (प्रातिपदिक)
Formपुंलिङ्ग; तृतीया (3rd/Instrumental), बहुवचन; विशेषणम् (of bhavanaiḥ): ‘having the form of Kailāsa-peaks’
bhavanaiḥwith buildings
bhavanaiḥ:
Karaṇa (करण)
TypeNoun
Rootbhavana (प्रातिपदिक)
Formनपुंसकलिङ्ग; तृतीया (3rd/Instrumental), बहुवचन
upaśobhitamadorned; beautified
upaśobhitam:
Kriyā (क्रियापद-विशेषण; predicate)
TypeVerb
Rootupa-√śubh/√śobh (धातु)
Formक्त (past passive participle), नपुंसकलिङ्ग; प्रथमा (1st/Nominative), एकवचन; कर्मणि (adorned)
tatrathere
tatra:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Roottatra (अव्यय)
Formअव्यय; देशवाचक क्रियाविशेषण (adverb of place: 'there')
vaiindeed
vai:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootvai (अव्यय)
Formअव्यय; निश्चयार्थक निपात
vimalāḥpure; clear
vimalāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootvimala (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा (1st/Nominative), बहुवचन; विशेषणम् (of nadyaḥ)
nadyaḥrivers
nadyaḥ:
Karta (कर्ता)
TypeNoun
Rootnadī (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा (1st/Nominative), बहुवचन
toya-pūrṇāḥfull of water
toya-pūrṇāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottoya (प्रातिपदिक) + pūrṇa (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा (1st/Nominative), बहुवचन; विशेषणम् (of nadyaḥ): ‘filled with water’
su-śobhanāḥvery beautiful
su-śobhanāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsu (उपसर्ग/अव्यय) + śobhana (प्रातिपदिक)
Formस्त्रीलिङ्ग; प्रथमा (1st/Nominative), बहुवचन; विशेषणम् (of nadyaḥ): ‘very beautiful’

Nāciketa (continuation of description)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"symbolic geography","core_concept":"Kailāsa imagery imports the idea of divine elevation and purity even into Yama’s domain, implying graded experiences shaped by karma.","practical_application":"Pursue inner ‘vimalatā’ (purity) through truthfulness and restraint, aligning one’s post-mortem path with clarity rather than turbidity."}

Subject Matter: ["Mythic geography","Cosmology","Hydrology (literary imagery)"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: mythic urban-sacral landscape with rivers

Related Themes: Hydrological and landscape detailing continues into 196.6

Visual Art Cues: {"scene_description":"Kailāsa-peak-shaped mansions rise like snowy summits, while immaculate rivers flow through the city, brimming with clear water.","item_prompts":["peak-like rooftops","white-silver Kailāsa silhouette motif","clear rivers with ripples","bridges/ghāṭ-like steps","lush banks"],"kerala_mural_prompt":"Kerala mural style: stylized mountain-peaked mansions; flowing blue-green rivers with lotus accents; balanced, rhythmic landscape bands.","tanjore_prompt":"Tanjore style: gold-leaf highlights on peak-mansions; glossy river rendered with deep blues; ornate borders suggesting divine opulence.","mysore_prompt":"Mysore style: soft, misty Kailāsa-like peaks; transparent water effects; delicate foliage along banks.","pahari_prompt":"Pahari style: crisp mountain-peak roofs; sinuous river line; cool palette with fine detailing of banks and small pavilions."}

Audio Atmosphere: {"recitation_mood":"luminous-calm","suggested_raga":"Hamsadhwani","pace":"medium-slow","voice_tone":"gentle, flowing, emphasizing ‘vimalā nadyas’"}

C
Classical Literature
A
Ancient Geography (mythic)
E
Ecological Imagery
S
Sanskrit Philology

FAQs

It uses a culturally resonant landmark (Kailāsa) as an aesthetic comparator, showing how Purāṇic texts anchor otherworldly description in shared geographic imagination.

Kailāsa is referenced as a comparative image; the primary setting remains Dharmarāja’s mythic city rather than a terrestrial site.

The verse is descriptive; ethically, it contributes to a broader narrative environment where order, purity, and consequence are contemplated.

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