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Varaha Purana 177.8 — Adhyaya 177, Shloka 8

The Curse of Sāmba and the Prescribed Observance of Sun-Worship

नरके पुरुषः प्रोक्तो विपरीतो मनीषिभिः ॥ तस्मात्साम्बं समाहूय तथा देवीगणं च तम्

narake puruṣaḥ prokto viparīto manīṣibhiḥ || tasmātsāmbaṃ samāhūya tathā devīgaṇaṃ ca tam

મનીષીઓએ કહ્યું છે કે જે પુરુષ ધર્મના વિરુદ્ધ વર્તે છે તે નરકમાં પડે છે. તેથી સામ્બને બોલાવી અને તેમ જ દેવીઓના ગણને પણ (તેને) બોલાવ્યો.

नरकेin hell
नरके:
अधिकरण (अधिकरण/Location)
TypeNoun
Rootनरक (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (7th/Locative), एकवचन; अधिकरणे (location)
पुरुषःa person
पुरुषः:
कर्ता (कर्ता/Subject)
TypeNoun
Rootपुरुष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
प्रोक्तःdeclared/said
प्रोक्तः:
क्रिया (क्रिया/Predicative participle)
TypeVerb
Rootप्र + वच् (धातु)
Formकृदन्त; भूतकर्मणि कृदन्त (Past Passive Participle/क्त), पुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; कर्मणि प्रयोगे (is said/declared)
विपरीतःcontrary/opposite
विपरीतः:
विशेषण (विशेषण/Qualifier)
TypeAdjective
Rootविपरीत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन; विशेषणम् (qualifier of पुरुषः)
मनीषिभिःby the sages/wise ones
मनीषिभिः:
कर्ता (कर्तृ-करण/Agent in passive)
TypeNoun
Rootमनीषिन् (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन; करण/कर्तृ-निर्देशे (by)
तस्मात्therefore
तस्मात्:
सम्बन्ध (हेतु/Reason marker)
TypeIndeclinable
Rootतद् (सर्वनाम-प्रातिपदिक)
Formअव्ययीभाव-प्राय (ablatival adverb); हेतौ/तस्मादर्थे (therefore/from that reason)
साम्बम्Sāmba
साम्बम्:
कर्म (कर्म/Object)
TypeNoun
Rootसाम्ब (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
समाहूयhaving summoned
समाहूय:
क्रिया (पूर्वक्रिया/Preceding action)
TypeVerb
Rootसम् + आ + हु (धातु)
Formक्त्वान्त (Absolutive/Gerund), अव्यय; पूर्वक्रिया (having summoned/called)
तथाlikewise/also
तथा:
सम्बन्ध (क्रियाविशेषण/Adverbial)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb: likewise/also)
देवीगणम्the group of goddesses
देवीगणम्:
कर्म (कर्म/Object)
TypeNoun
Rootदेवी-गण (प्रातिपदिक; देवी + गण)
Formपुंलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन; षष्ठी-तत्पुरुषः (देवीनां गणः)
and
:
सम्बन्ध (समुच्चय/Coordinator)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
तम्him/that one
तम्:
कर्म (कर्म/Object)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन

Varāha (default attribution; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"One who acts viparīta (contrary to right conduct) is said by the wise to fall into naraka; therefore the matter is to be examined in an assembly.","karmic_consequence":"Viparīta-ācāra leads to naraka; alignment with dharma avoids such downfall."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics (dharma-adharma viveka)","core_concept":"Viparīta-ācāra is self-destructive and leads to painful post-mortem states (nāraka).","practical_application":"Use learned counsel and communal scrutiny (sabhā) to test one’s conduct against dharma before acting."}

Subject Matter: ["Ethics","Narrative literature","Social conduct"]

Primary Rasa: śānta

Secondary Rasa: vīra

Type: court/assembly

Related Themes: Varāha Purāṇa 177.12–15 (assembly, discernment, agitation)

Visual Art Cues: {"scene_description":"A solemn proclamation about naraka for wrong conduct, followed by the summoning of Sāmba and an assembly of goddesses to a formal hearing.","item_prompts":["raised hand of the presiding figure indicating summons","messengers or attendants calling Sāmba","group of devīs gathering","courtly hall with pillars and arranged seats"],"kerala_mural_prompt":"Kerala mural style: temple-like sabhā with warm ochres/greens; presiding figure centered, attendants summoning Sāmba; devīs in orderly cluster, expressive but restrained.","tanjore_prompt":"Tanjore style: gold-leaf sabhā backdrop, ornate throne/seat for the presider, richly jeweled devīs assembling, Sāmba being called from the side.","mysore_prompt":"Mysore style: refined court interior, delicate linework; emphasis on dignified gestures of summoning and the moral seriousness of the proclamation.","pahari_prompt":"Pahari style: intimate palace hall with patterned textiles; narrative sequencing—summons on one side, devīs assembling on the other."}

Audio Atmosphere: {"recitation_mood":"didactic and grave","suggested_raga":"Bhairav","pace":"medium-slow","voice_tone":"firm, judicial, admonitory"}

P
Purāṇic Narrative
V
Vaiṣṇava Traditions
C
Courtly Motifs
M
Moral Didacticism

FAQs

It shows the Purāṇic method of embedding ethical statements within narrative sequences, using named figures (such as Sāmba) to frame moral and social instruction.

No geographic location is specified in this verse.

The verse reiterates a moral contrast: being 'contrary' to right conduct is associated with negative consequences, then pivots into a narrative exemplum.

Ask anything about this verse

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