Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
कष्णभक्तिप्रदे राधे नमस्ते मंगलप्रदे । इति सम्प्रार्थ्य सर्वेशीं स्तुत्वा हृदि विसर्जयेत् ॥ ४७ ॥
kaṣṇabhaktiprade rādhe namaste maṃgalaprade | iti samprārthya sarveśīṃ stutvā hṛdi visarjayet || 47 ||
હે રાધે, કૃષ્ણભક્તિ આપનારિ, તમને નમસ્કાર—તમે મંગળ આપનારિ છો. આ રીતે સર્વેશ્વરીને હૃદયપૂર્વક પ્રાર્થના કરી સ્તુતિ કરીને, હૃદયમાં સ્થાપી વિસર્જન કરવું.
Narada (instructional narration within a ritual/recitation context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches the complete arc of devotion—invocation and praise of the divine power (Rādhā as the giver of Kṛṣṇa-bhakti), followed by inner assimilation (placing Her in the heart) and proper ritual closure (visarjana).
Bhakti is presented as a grace bestowed—Rādhā is addressed as the giver of devotion to Kṛṣṇa; the practitioner prays, praises, and then internalizes the deity in the heart, emphasizing inward devotion over mere outward rite.
It reflects practical ritual procedure: stuti (hymn), samprārthana (formal prayer), and visarjana (concluding withdrawal of the invoked presence), a standard upāsanā sequence relevant to kalpa-style liturgical practice.
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