Mantra-paribhāṣā (मन्त्रपरिभाषा) — Colophon/Closure
तदन्वयाः पञ्चशतं तेभ्यो जाता असंख्यकाः फणिमण्डलिराजीलवातपित्तकफात्मकाः
tadanvayāḥ pañcaśataṃ tebhyo jātā asaṃkhyakāḥ phaṇimaṇḍalirājīlavātapittakaphātmakāḥ
તેમના વંશપરંપરાથી પાંચસો (પ્રકાર) ઉત્પન્ન થયા; અને તેમમાંથી અસંખ્ય અન્ય જન્મ્યા—ફણી, મંડલી, રાજીલ તથા વાત-પિત્ત-કફ સ્વભાવવાળા તરીકે વર્ગીકૃત છે.
Lord Agni (narrating to Sage Vasiṣṭha)
Vidya Category: {"primary_vidya":"Ayurveda","secondary_vidya":"Samanya","practical_application":"Supports sarpa/viṣa lore by classifying serpent varieties and linking them to doṣa-natures (vāta/pitta/kapha) for diagnostic reasoning in toxicology contexts.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Nāga-bheda and Doṣa-nature Classification (phaṇin/maṇḍalin/rājīla; vāta–pitta–kapha)","lookup_keywords":["sarpa-bheda","phaṇin","maṇḍalin","rājīla","doṣa"],"quick_summary":"States that numerous serpent varieties arise from principal lineages and can be grouped by morphological types and by doṣa-nature. Useful as a conceptual bridge between zoological identification and Ayurvedic tri-doṣa reasoning in viṣa contexts."}
Dosha: Tridosha
Concept: Applying tri-doṣa as an interpretive grid beyond human physiology, extending to creature-natures for practical inference.
Application: Pedagogical tool for physicians/learners: map observed traits to doṣa tendencies to structure clinical expectations in toxicology.
Khanda Section: Ayurveda (Roga-nidana: Doṣa-bheda and Nāga/Viṣa-related classifications)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A natural-history style spread: multiple serpent varieties labeled phaṇin, maṇḍalin, rājīla, alongside a tri-doṣa wheel indicating vāta/pitta/kapha natures.","kerala_mural_prompt":"Kerala mural, stylized serpents in three groups with distinct hood/pattern motifs, a tri-doṣa mandala behind them, earthy greens/ochres, clear contour lines, temple-science aesthetic.","tanjore_prompt":"Tanjore, central tri-doṣa chakra in gold, surrounding panels with jeweled serpents (phaṇin/maṇḍalin/rājīla) rendered iconically, embossed borders and rich colors.","mysore_prompt":"Mysore painting, instructional plate with fine labels, serpents drawn with careful patterning, tri-doṣa diagram at side, clean background for clarity.","mughal_miniature_prompt":"Mughal miniature naturalist folio, several serpents with meticulous scale patterns, marginal notes indicating vāta/pitta/kapha, restrained palette and precise linework."}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Todi","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: tadanvayāḥ = tat + anvayāḥ; tebhyo = tebhyaḥ; kaphātmakāḥ = kapha + ātmakāḥ.
Related Themes: Agni Purana: viṣa-cikitsā / sarpa-viṣa sections; roga-nidāna style enumerations
It gives a technical taxonomy of serpent lineages and types, linking observable snake categories (hooded, coiled, striped) with Ayurvedic doṣa-natures (vāta, pitta, kapha) used for diagnosis and treatment planning in viṣa/roga contexts.
Alongside theology, the Agni Purana preserves practical knowledge systems—here, a quasi-natural-historical and medical classification scheme—showing how Purāṇic literature catalogs technical subjects like Ayurveda and toxicology.
By systematizing knowledge of harmful beings and bodily humors, the text supports dharmic protection of life (prāṇa-rakṣā): right knowledge enables timely, appropriate remedies, reducing harm and supporting righteous conduct.