HomeVaraha PuranaAdhyaya 75Shloka 39
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Varaha Purana 75.39: Adhyaya 75, Shloka 39

Description of Jambūdvīpa: its regions, mountains, measurements, and cosmic structure

परिमण्डलस्तयोर्मध्ये मेरुः कनकपर्वतः । चतुर्वर्णः ससौवर्णश्चतुरस्त्रः समुच्छ्रितः ॥ ७५.३९ ॥

Sanskrit recitationVaraha Purana 75.39

parimaṇḍalas tayor madhye meruḥ kanakaparvataḥ | caturvarṇaḥ sasauvarṇaś caturastraḥ samucchritaḥ || 75.39 ||

Au milieu de ces régions se tient le mont Meru, la montagne d’or : de forme circulaire ; aux quatre colorations, resplendissant d’éclat doré ; à quatre faces et d’une haute élévation.

परिमण्डलःcircular
परिमण्डलः:
विशेषण (Qualifier of मेरुः)
TypeAdjective
Rootपरि + मण्डल (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा, एकवचन; विशेषणम् — 'circular/encircling'
तयोःof the two
तयोः:
सम्बन्ध (Genitive)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी, द्विवचन; 'of those two'
मध्येin the middle
मध्ये:
अधिकरण (Adhikaraṇa)
TypeNoun
Rootमध्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी, एकवचन
मेरुःMeru
मेरुः:
कर्ता (Karta/Subject)
TypeNoun
Rootमेरु (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा, एकवचन
कनकपर्वतःthe golden mountain
कनकपर्वतः:
समानााधिकरण (Apposition to मेरुः)
TypeNoun
Rootकनक + पर्वत (प्रातिपदिक)
Formतत्पुरुष-समासः (कनकस्य पर्वतः / कनकमयः पर्वतः); पुल्लिङ्ग, प्रथमा, एकवचन; मेरु-विशेषण/नाम
चतुर्वर्णःhaving four colors
चतुर्वर्णः:
विशेषण (Qualifier of मेरुः)
TypeAdjective
Rootचतुर् + वर्ण (प्रातिपदिक)
Formद्विगु-समासः (चत्वारः वर्णाः यस्य); पुल्लिङ्ग, प्रथमा, एकवचन; विशेषणम्
ससौवर्णःwith golden (splendor)
ससौवर्णः:
विशेषण (Qualifier of मेरुः)
TypeAdjective
Rootस + सौवर्ण (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा, एकवचन; 'स-' उपसर्गयुक्त विशेषणम् — 'with golden (portion)/golden'
चतुरस्त्रःfour-sided
चतुरस्त्रः:
विशेषण (Qualifier of मेरुः)
TypeAdjective
Rootचतुर् + अस्त्र/अश्र (प्रातिपदिक: अस्त्र/अश्र = side/corner)
Formद्विगु-समासः (चत्वारः अस्त्राः/अश्राः यस्य = four-sided); पुल्लिङ्ग, प्रथमा, एकवचन
समुच्छ्रितःloftily elevated
समुच्छ्रितः:
विधेय (Predicate adjective)
TypeAdjective
Rootसम् + उत् + श्रि (धातु) + क्त (कृत् प्रत्यय)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle); पुल्लिङ्ग, प्रथमा, एकवचन — 'loftily raised'

Varāha (instructor, default dialogic frame)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"awed, receptive","key_question":"What is the nature and form of Meru at the center of these regions?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Meru functions as the cosmic axis (skambha) and mandala-center: circularity suggests totality, four-sidedness and four colors suggest the ordered manifestation into quarters and varṇas/guṇas within a single luminous principle.","yajna_varaha_imagery":"Meru as the central yūpa/axis of the cosmic yajña; four sides = four directions/ṛtviks; golden brilliance = tejas of sacrificial fire stabilizing the world-mandala.","vedantic_connection":"Axis-mundi imagery supports non-dual contemplation: the many directions and colors are appearances around a single center; the ‘gold’ hints at brahma-tejas as the ground of cosmic order."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"sacred centrality and ordered plurality","core_concept":"A stable center (Meru) allows the multiplicity of forms (colors, directions, faces) to be coherently held together.","practical_application":"In practice, establish an inner ‘Meru’—a steady focal point (mantra/īṣṭa-devatā) around which life’s plurality is harmonized."}

Subject Matter: ["Cosmology","Geography","Sacred Topography"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: cosmic central mountain (axis mundi)

Related Themes: Varāha Purāṇa 75.75.40 (Earth-lotus with Meru as karṇikā)

Visual Art Cues: {"scene_description":"A towering golden Meru rises at the center: circular mandala-base, four-sided faces, four hues shimmering, immense height dominating the cosmic landscape.","item_prompts":["golden central mountain","four-sided geometry (catur-asra)","four color bands (catur-varṇa)","circular mandala base","surrounding ranges hinted at the periphery"],"kerala_mural_prompt":"Kerala mural: Meru as a luminous gold-ochre pyramid with four colored strata; mandala-like circular base; ornamental clouds; Varāha narrating at the margin.","tanjore_prompt":"Tanjore: heavy gold-leaf for Meru; embossed four faces; jewel-like color inlays; central mandala composition.","mysore_prompt":"Mysore: refined shading on a golden peak; precise geometry; subtle four-color gradation; serene cosmic atmosphere.","pahari_prompt":"Pahari: crystalline central peak with gold wash; four distinct faces; delicate mandala ring at base; cool sky gradients."}

Audio Atmosphere: {"recitation_mood":"majestic, reverent","suggested_raga":"Kalyani","pace":"medium-slow","voice_tone":"sonorous, elevated, steady"}

C
Classical Literature
P
Purāṇic Cosmography
V
Vaiṣṇavism
A
Ancient Geography

FAQs

It preserves a standard Purāṇic cosmographical motif—Mount Meru as the central axis of the world—useful for studying how premodern Sanskrit texts conceptualized sacred geography and cosmic space.

Mount Meru is a cosmological (mythic) central mountain rather than a single empirically fixed site; scholars discuss its connections to broader Indo-Asian axis-mundi traditions rather than equating it straightforwardly with one modern mountain.

The verse is primarily descriptive rather than prescriptive; its philosophical function is to situate human and terrestrial realms within an ordered cosmic geography, a framework often used elsewhere in Purāṇas to ground cultural memory and place-based stewardship.

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