आरार्तिकं ततः कृत्वा नृत्यं कुर्याद्यथेच्छया । अष्टांगं प्रणिपत्यैवं गीतवाद्यादिकं ततः
ārārtikaṃ tataḥ kṛtvā nṛtyaṃ kuryādyathecchayā | aṣṭāṃgaṃ praṇipatyaivaṃ gītavādyādikaṃ tataḥ
Puis, après avoir accompli l’ārārtika, on peut danser à son gré. Ainsi, s’étant prosterné selon les huit membres, qu’on s’adonne ensuite au chant, à la musique instrumentale et autres hommages en l’honneur du Seigneur.
Sūta (deduced from section context)
Tirtha: Somnātha at Prabhāsa
Type: kshetra
Scene: A blazing ārati lamp circles before the Somnātha liṅga; devotees raise hands in reverence; some dance in measured steps; musicians play mṛdaṅga and cymbals; a devotee performs āṣṭāṅga-praṇāma on the stone floor as the sanctum glows with firelight.
Bhakti includes both reverent surrender (prostration) and joyful expression (song, music, dance) offered to the deity.
Prabhāsakṣetra, portrayed as a sacred space for both ritual correctness and ecstatic devotion.
Perform ārati, do aṣṭāṅga praṇāma, and then offer devotional music/singing/dance.