मल्लिकाख्ये तथा विष्णुर्महेन्द्रे भार्गवस्तथा । गोनर्दः स्थविराकारे ह्युज्जयिन्यां पितामहः
mallikākhye tathā viṣṇurmahendre bhārgavastathā | gonardaḥ sthavirākāre hyujjayinyāṃ pitāmahaḥ
De même, à Mallikākhya Je suis Viṣṇu ; à Mahendra Je suis Bhārgava. À Gonarda, Je Me manifeste sous l’aspect d’un vénérable vieillard ; et à Ujjayinī Je suis Pitāmaha, le Grand Aïeul.
Sūta (Lomaharṣaṇa) to the sages (deduced)
Tirtha: Mahendra; Ujjayinī
Type: peak
Scene: Four scenes: Mallikākhya—Viṣṇu amid jasmine garlands; Mahendra—Bhārgava/Paraśurāma on a mountain with axe; Gonarda—an aged, compassionate ‘Sthavira’ form blessing devotees; Ujjayinī—Pitāmaha (Brahmā) seated on lotus near a grand city-temple skyline by the Shiprā.
Sacred places are portrayed as living theologies: the same divine principle is honored as Viṣṇu, Bhārgava, or Pitāmaha according to the kṣetra.
Ujjayinī (Ujjain) is explicitly named, along with Mallikākhya, Mahendra, and Gonarda.
None is specified in this verse; it functions as a catalog for pilgrimage remembrance and kṣetra-reverence.