गीतवादित्रघोषेण नृत्यमानाः प्रहर्षिताः । किरीटकुण्डलैर्हारैर्वैजयंत्या विभूषिताः
gītavāditraghoṣeṇa nṛtyamānāḥ praharṣitāḥ | kirīṭakuṇḍalairhārairvaijayaṃtyā vibhūṣitāḥ
Au milieu du fracas des chants et des instruments, ils dansaient dans l’allégresse, parés de couronnes, de boucles d’oreilles, de guirlandes et de la Vaijayantī (guirlande sacrée).
Deductive (Dvārakā-māhātmya narrative voice; traditionally Sūta/Lomaharṣaṇa)
Tirtha: Dvārakā
Type: kshetra
Scene: A jubilant divine dance: attendants whirl amid song and instruments; crowns, earrings, garlands sway; the Vaijayantī garland stands out as a signature emblem, with radiant joy filling the space.
Bhakti naturally expresses itself as joyful praise—music and dance are portrayed as sacred offerings when centered on Hari.
Dvārakā, depicted as a divine stage where Hari’s retinue celebrates.
Devotional singing, instrumental music, and dance as forms of worshipful celebration.