त्यक्त्वा कलेवरं राजा दिव्यमाल्यानुलेपनः । कृतांजलिरुवाचेदं भक्त्या परमया युतः
tyaktvā kalevaraṃ rājā divyamālyānulepanaḥ | kṛtāṃjaliruvācedaṃ bhaktyā paramayā yutaḥ
Ayant quitté son corps, le roi, paré de guirlandes et d’onguents célestes, les mains jointes, prononça ces paroles, animé d’une dévotion suprême.
Narrator (introducing Nṛga’s prayer)
Tirtha: Dvārakā
Type: kshetra
Listener: Pilgrimage audience
Scene: The freed king abandons the cursed body; he appears radiant, adorned with celestial garlands and fragrant unguents, hands folded in añjali, beginning a hymn of devotion before Kṛṣṇa.
Release from bondage culminates in devotion and reverent praise; true transformation is inner (bhakti) as well as outer (divine form).
Dvārakā Māhātmya frames the liberation, implying the city’s sacredness as a place where devotion and deliverance converge.
Añjali (folded hands) is shown as a gesture of devotion; no detailed ritual procedure is specified.