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Skanda Purana — Mahesvara Khanda, Shloka 71

नारदोऽस्याः शिवेनाथ उपहासकरोऽभवत् । निशम्य हारितं द्यूतमुपहासं निशम्य च

nārado'syāḥ śivenātha upahāsakaro'bhavat | niśamya hāritaṃ dyūtamupahāsaṃ niśamya ca

Ô Seigneur, Nārada devint pour elle (Pārvatī) un sujet de plaisanterie. Ayant entendu parler du jeu de dés et de ce qui y fut perdu, il entendit aussi le rire moqueur.

नारदःNārada
नारदः:
Karta (Subject/कर्ता)
TypeNoun
Rootनारद (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
अस्याःof her
अस्याः:
Sambandha (Genitive/सम्बन्ध)
TypeNoun
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी (6th), एकवचन; सर्वनाम-रूप
शिवेनwith Śiva
शिवेन:
Sahakari (Accompaniment/सहकारी)
TypeNoun
Rootशिव (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd), एकवचन; सह/संबन्ध-निर्देश (with Śiva / in relation to Śiva)
अथthen
अथ:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootअथ (अव्यय)
Formअनन्तरार्थक-अव्यय (then/now)
उपहास-करःa mocker, one who makes fun
उपहास-करः:
Karta (Subject/कर्ता)
TypeNoun
Rootउपहास (प्रातिपदिक) + कर (प्रातिपदिक)
Formतत्पुरुष-समास (उपहासं करोति इति); पुंलिङ्ग, प्रथमा (1st), एकवचन; कर्तृवाचक
अभवत्became
अभवत्:
Kriya (Action/क्रिया)
TypeVerb
Rootभू (धातु)
Formलङ् (अनद्यतनभूत/Imperfect), प्रथमपुरुष (3rd), एकवचन; परस्मैपद
निशम्यhaving heard
निशम्य:
Kriya-vishesana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootनि + शम् (धातु) + ल्यप् (कृदन्त)
Formल्यप्-प्रत्ययान्त अव्यय (gerund); पूर्वकालिक-क्रिया (having heard)
हारितम्(the) taken away/cheated (stake)
हारितम्:
Karma (Object/कर्म)
TypeAdjective
Rootहृ (धातु) + णिच् + क्त (कृदन्त)
Formणिच्-प्रेरण-धातोः क्त-प्रत्ययान्त कृदन्त; नपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; विशेषण (of ‘द्यूतम्’: caused to be taken away/robbed)
द्यूतम्gambling, dice-play
द्यूतम्:
Karma (Object/कर्म)
TypeNoun
Rootद्यूत (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; कर्म
उपहासम्mockery
उपहासम्:
Karma (Object/कर्म)
TypeNoun
Rootउपहास (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन; कर्म
निशम्यhaving heard
निशम्य:
Kriya-vishesana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootनि + शम् (धातु) + ल्यप् (कृदन्त)
Formल्यप्-प्रत्ययान्त अव्यय (gerund); पुनरुक्त-प्रयोग (again: having heard)
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय

Sūta (Lomaharṣaṇa) narrating to the sages (deduced from Māheśvarakhaṇḍa narrative style)

Tirtha: Kedāra

Type: kshetra

Scene: Nārada hears of the dice-loss and the laughter; he becomes an instrument of teasing toward Pārvatī, while the atmosphere shifts from playful to sharp-edged.

N
Nārada
Ś
Śiva
P
Pārvatī

FAQs

Even divine play (līlā) becomes a vehicle to reveal deeper truths; impulsive mockery and gossip disturb harmony and lead to consequences.

The broader context is Kedārakhaṇḍa, oriented to Kedāra/Kedārnātha sacred geography, though this verse itself is a narrative transition.

None in this verse; it sets up the narrative around the dice-game and its moral consequences.